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In Theaters: 'Marley' Is 'The Lucky One' While We Say 'Goodbye First Love' To 'Think Like A Man' & Peruse 'The Moth Diaries'

  • By Emma Bernstein
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  • April 20, 2012 5:58 PM
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  • 1 Comment
Spring is here, folks! New love and life are upon us now that the dreary, ice-cold fingers of winter have withdrawn. Loosely translated into the logic of releasing films, this means documentaries and romance melodramas abound! They pop up from studios like daisies from freshly hoed lawns. Head to theaters this weekend and take in the sweet love of soldiers, vampires, Rastafarians, and even chimpanzees. And don’t forget to stop and smell the flowers on your way.

Review: Mary Harron's 'The Moth Diaries' Is A Teen Vampire Tale Without Any Fangs

  • By Oliver Lyttelton
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  • April 18, 2012 4:57 PM
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It's remarkably tough to get any film financed, at least one that doesn't have 3D talking animals from a popular cartoon series. So it's no surprise that some filmmakers, for all their best efforts, can go three, four, five or more years between pictures. Worryingly, it seems to be doubly true for female directors. Look at Kimberley Pierce, who's only made one film in the twelve years since "Boys Don't Cry," or Tamara Jenkins, for whom nearly a decade separated "Slums of Beverley Hills" and "The Savages," or even Kathryn Bigelow, who might be an Oscar-winner now, but had a six-year break before "The Hurt Locker." One of the key examples here is Mary Harron, who since her 1996 debut "I Shot Andy Warhol" had only made two other films: "American Psycho," and the biopic "The Notorious Bettie Page," the latter of which was five whole years ago. None of her films to date have been stellar, but she's always displayed more than enough filmmaking nous to make an upcoming Harron picture something to look forward to.

Exclusive Poster For Mary Harron's 'The Moth Diaries' Plus New Trailer For The Film

  • By Kevin Jagernauth
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  • February 24, 2012 7:04 PM
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Director Mary Harron has never shied away from edgy material. Her early career was marked by the wicked one-two punch of "I Shot Andy Warhol" and of course, the contemporary classic "American Psycho." She followed up those films with the pinup biopic "The Notorious Bettie Page" and has also peppered her CV with TV work on shows as diverse as "Big Love," "Oz" and "Homocide: Life On The Streets." It's coming on seven years since her last feature effort, but the director is returning this year with "The Moth Diaries."

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