- By Drew Taylor
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- January 25, 2011 8:42 AM
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- 2 Comments
As our recent look at his filmography can attest, Peter Weir is one of the most versatile and fascinating directors currently working. And even if you aren't totally gripped by one of his films, it's hard not to be impressed by the artful craftsmanship that Weir brings to each project. We were thrilled to be able to talk to the director, especially since his output is so infrequent (he is much funnier and warmer than you would expect, given his cultivated aura of a prickly and demanding auteur). Over the course of our conversation, we talked about some of the movies that fell by the wayside while "The Way Back" succeeded, including confirmation that "Pattern Recognition," based on the trippy William Gibson novel, was a nut that Weir just couldn't crack. We also talked about his take on the Stephen King opus "Salem's Lot," which Stanley Kubrick championed him for, and why, if you see some avant-garde, documentary-style trifle from the filmmaker, well, we're to blame.
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Also, blaming Pixar for things out of their control (such as commercial marketing) is unfair - that
A terrible article that misses so many of the great things in the films. You talk about the
I thoroughly enjoyed it. I feel the "old sport" catchphrase was 100% necessary. The
I liked Brave way more than Up - Pixar's worst in my opinion (haven't seen Cars 2)
Reg: your comment on Zack Snyder's name. I am somewhat inclined to believe that as well. Except
I saw that one on it´s release back then in Germany at age 14....and you can be sure that this is
Damn.... May he rest is peace. He was a MAGNIFICENT actor.
"...with a complete lack of progression to the narrative." "This man is not our
im not a grammar nazi in the slightest but dear lord can someone read over these posts just once
I totally disagree, the movie really wasn't spectacular. IT HAS NOTHING to do with Christopher