- By Kevin Jagernauth
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- March 1, 2013 10:00 AM
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- 4 Comments
As my colleagues have written in their recaps of the first four episodes of "Parade's End," there is much to admire in the five-part miniseries. From the dense, multi-threaded and layered script from Tom Stoppard, to the sumptuous direction from Susanna White and a cluster of great performances from Benedict Cumberbatch, Rebecca Hall, Adelaide Clemens, Stephen Graham and Rupert Everett. And at the middle of it all, perhaps one of the most buttoned up leading men we've seen in quite some time on the small screen, Christopher Tietjens. It would almost be laughable at how much his life has taken a downward turn since we met him at the start of the first episode, if it weren't so tragic. As an era fades, so too does a particular way of English, gentlemanly life, and Tietjens will hold on to it until it nearly destroys him. But after seeing nearly every facet of his life crumble and corrupted, you yearn for Christopher -- as his wife Sylvia long has -- to finally submit to some kind of emotion. To break free and reclaim his life. And while he doesn't quite do that in the finale, his victory such as it is, is satisfying in the way the character deserves.
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