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Revolution & Car Crashes: 5 Things Learned About Jean-Luc Godard's 'Weekend' From The Criterion Collection's New Release

  • By Simon Abrams
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  • November 20, 2012 11:04 AM
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  • 2 Comments
“Weekend” can be retroactively seen as a turning point in Jean-Luc Godard’s still-growing body of work. This is partly because the film’s nightmarish, picaresque plot makes some of Godard’s more recent movies look high-concept.

'Tyrannosaur' Tops Winners At British Independent Film Awards, 'Shame,' 'Kevin' And 'Weekend' Also Triumph

  • By Oliver Lyttelton
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  • December 5, 2011 7:08 AM
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  • 0 Comments
Last year, the awards sweep of "The King's Speech" was, in a way, begun by the British Independent Film Awards, an organisation that's been running for a decade-and-a-half, of increasingly prominent stature, who anointed Tom Hooper's period drama their Best British Film Award, beginning a string of glory that took it all the way to Best Picture at the Oscars. However, it led to many accusing the body, by giving their top-prize to a solid, but safe seemingly made to pick up BAFTAs, of losing their edge.

The Amazing Race: 'Shame' & 'Tinker Tailor' Lead Noms At British Independent Film Awards

  • By Oliver Lyttelton
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  • October 31, 2011 5:30 AM
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  • 4 Comments
Paddy Considine's 'Tyrannosaur' Also Wins Seven Nods, 'Kevin' & 'Kill List' Close BehindWhen "Chariots of Fire" writer Colin Weiland announced on stage at the 1982 Oscars that "The British are coming!," it went on to live in infamy; the British failed to come, and the U.K. film industry continued on much as it had before. But if David Seidler or Tom Hooper had exclaimed the same at the Academy Awards this February, there might have been less egg on their face -- the victory, and huge box office success of "The King's Speech" has been a precursor to the best year for British film that we can remember.

'Weekend' Director Andrew Haigh Developing L.A.-Set Follow-Up 'Simon Is Waiting' With Film4

  • By Oliver Lyttelton
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  • October 11, 2011 2:57 AM
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  • 0 Comments
We're literally about to head out the door to the BFI London Film Festival press screening of "Weekend," the second feature by British director Andrew Haigh, and we're firmly looking forward to it; ever since its premiere at SXSW earlier in the year, the indie gay romance has picked up glowing reviews, including ours, and has been doing quite nicely at the U.S. box office since it opened a few weeks back. It's definitely launched Haigh, a former assistant editor who worked on the likes of "Gladiator" and "Black Hawk Down", into the consciousness of film fans, and coincidentally, this morning brings news of his next project.

SXSW Review: The Politics Of Sex In 'Weekend'

  • By Gabe Toro
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  • March 25, 2011 5:09 AM
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  • 1 Comment
Last year, Julio Medem’s “Room In Rome” was released. While there was a strong titillation factor implicit in the film’s erotic pairing of two would-be lesbians over the course of an extended lovemaking session, the film was an erotic but honest account of a wounded soul finding sanctuary in the arms of another. Sexuality faded into the background, and what was initially considered sensual was soon significantly weighty. The film, of course, never lost its flirt, its central healing occurring with a fourth-wall-breaking wink.

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