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6 Personal Highlights From The Film Festivals Of 2012

  • By The Playlist Staff
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  • December 28, 2012 12:12 PM
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  • 2 Comments
We're generally anti-navelgazing here at The Playlist, but being the end of the year, it can't really be avoided. As we continue to take a look back at the cinematic year of 2012, we're trying to shake things up and keep things fresh outside of the usual Best/Worst lists. This year saw The Playlist making a presence around the world at more than a handful of festivals. And while you've already read our reviews and news, we thought we'd give you a taste of the experience of attending these festivals. Even if you can't make Cannes or board a flight to Marrakech, we hope this helps in translating what it's like to run around a foreign country with nothing more than a laptop and a love of cinema. So, without further ado, here are six personal highlights from the various film festivals in 2012 we attended.

Mark Cousins On ‘What Is This Film Called Love,’ PJ Harvey, 'Prometheus' & “The Sadness Of Time Passing”

  • By Jessica Kiang
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  • July 14, 2012 12:33 PM
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  • 1 Comment
Having seen and loved Mark Cousins’ almost unreviewably subjective “What Is This Film Called Love” on its international premiere at the Karlovy Vary International Film Festival last week (read about that experience here), we got to sit down with Cousins in person pretty much immediately afterwards. And it felt rather like walking straight back into the film we had just left: ‘What Is This Film’ is so unapologetically personal that it’s difficult to escape the feeling that, like him or not, you kind of know Cousins by the end of it.

Our Karlovy Vary Film Fest Reviewer Experiences A Personal Epiphany At Mark Cousins’ ‘What Is This Film Called Love’

  • By Jessica Kiang
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  • July 5, 2012 3:19 PM
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  • 5 Comments
Ok, this is going to be a tricky one. Celebrating its international premiere at the Karlovy Vary International Film Festival, having only screened before at the festival in Edinburgh, the new film from Mark Cousins had on us such a completely subjective and personal level that it all but defies attempts to marshal those scattered impressions into a coherent, generalised review. But said effects were so positive for us that we're going to try anyway. Essentially, we were charmed beyond belief by this rambling, philosophizing self-described "ad lib" of a film, but we absolutely can't guarantee the same reaction from anyone else.

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