- By Christopher Bell
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- April 28, 2011 2:16 AM
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- 3 Comments
Just how out of touch are some filmmakers? There's a small trend of plots in which the main character commits a truly horrible crime of violent nature (which may even go as far as murder), usually by mistake, and their ultimate next move is to spy on the victim, befriend them, and pretend like nothing ever happened. This premise isn't just borderline offensive (a character tricking their victim for some weird personal catharsis? A writer composing such an artificial scenario just to tug viciously at our hearts?), its banality and self-righteousness basically paints the writer/director as someone who has never had anything remotely similar happened to them. Of course we all have our imaginations and we're all entitled to use them, but this kind of overdramatic falseness is rearing its head a bit too often (see Sundance hit "Another Earth," there's a slight variation in Andrea Arnold's "Red Road") to be given a pass. Deborah Chow's debut feature "The High Cost of Living" commits the same crime, banking on the misery of one person and the unbelievably low intellect of another.
Recent Comments
No one is bothered because it makes sense to this film. Obviously it would've been out of place
Lois had her part to play in the film and that is all..they didnt over or under use her-also
HaHa... Finally someone knows wtf they are talking about on here...
Did you even watch the movie or were you on an extended bathroom break? You seem to have missed the
Garbage? really? wtf movie were you expecting? Superman Returns?Grow up already!
I agree with most of this however with your "so-so" with the character of Jor-El.. Russel
This movie looks like crap
Spotted the brilliant Michael Smiley too.
"Without Brad, this film wouldn't have been made. Fact," WTF is up with movie
I'm confused as to why "a group of magicians and conmen who team up to use their powers of