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The 15 Best TV Episodes Of 2013

Features
by The Playlist Staff
December 12, 2013 4:06 PM
18 Comments
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8. "The Good Wife" - "Hitting The Fan" (Season 5, Episode 5)
"The Good Wife" has always been consistently entertaining, well-written and beautifully acted, but has sometimes felt a little disposable, and as a CBS legal procedural, never really stood a chance at attracting plaudits from hipper critics. But in the last year, the show has upped its game enormously, becoming un-ignorably good, and this season's "Hitting The Fan" in particular, can compete with anything that premium cable has to offer. The episode sees a long-simmering storyline erupt, as lead Alicia (Julianna Margulies, who's had real fun with making her character less obviously sympathetic of late) and younger partner Cary (Matt Czuchry) are revealed to have been plotting to leave the firm run by Will (Josh Charles) and Diane (Christine Baranski). The Lockhart/Gardner partners didn't know it was coming, but the audience did, though to be honest, probably expected it at the end of a season, not five episodes in—a measure of how much the show is not dicking around. Their scheme exposed, Alicia and Cary scramble to get the new firm established (taking as many of their old bosses' clients as they can), while Will and Diane, who were barely on speaking terms before, team up for vengeance. It's all magnified because Will and Alicia are former lovers, and their confrontation was positively electric. It takes real confidence in a show to blow up the status quo like this, in a way that, potentially, can never be rectified, but "The Good Wife" has been quietly stacking up confidence in spades, and so we end up with something that demonstrates why this is the best show that you probably haven't been watching.

7. “Boardwalk Empire” - “White Horse Pike” (Season 4, Episode 10)
The mantra of “Boardwalk Empire” in season 4 might have been to defy expectations. Sure, the fourth go-round started predictably slowly, but in the course of its slow constricting coil it suddenly snapped to attention later in the season. Those paying attention to the show’s rhythms know the penultimate episode is where all the action happens, but the most dramatic and intense episode “White Horse Pike” was actually the slowly-simmering and the electric antepenultimate episode (in a season that demonstrated its first cliffhanger ending too). All season, black mobster Chalky White (Michael K. Williams) has been at loggerheads with the new man in town, Dr. Valentine Narcisse (Jeffrey Wright), the educated, erudite African American, who constantly prods at Chalky for being nothing more than a house n*gga for Atlantic City mob boss Nucky Thompson (Steve Buscemi). The episode features several twists, turns and layers; the Florida crew led by Vincenzo Petrucelli (Vincenzo Amato) and Meyer Lansky (Anatol Yusef) trying to double cross Nucky’s bootlegging deals; Agent Warren Knox (Brian Geraghty) twisting the screws tighter on Nucky's brother Eli (Shea Whigham) to rat; the Chicago Southside crew lead by Al Capone (Stephen Graham) almost being gunned down in an assassination attempt; and Margaret Thompson (Kelly MacDonald) making deals with her estranged husband’s rival Arnold Rothstein (Michael Stuhlbarg). All of this mind you, elegantly composed, never stuffed and happening amidst the blood feud between Chalky and Narcisse hitting its fever pitch. Everyone is getting tested and squeezed. Nucky spares Lansky's life for the betrayal and during his big meeting with New York Italian boss Joe Masseria (Ivo Nandi), as he demands reparations for his loss, the ace in the hole drops: Narcisse is in cahoots with the other side. Not only does this mean Nucky’s hand has no play, a wounded Chalky White seemingly on his way out of town is a sitting dead duck. How he survives is one of the most intense and nervewracking episodes of the show ever, a true testament to the fact that when this show hits all the high marks, it’s unstoppable.

6. "30 Rock" - "Hogcock!/Last Lunch" (Season 7, Episode 12/13)
Tina Fey's hall-of-fame sitcom "30 Rock" only aired a handful of episodes in 2013—most of its stellar final season aired at the tail-end of last year. But luckily, there were a handful, including double-length series wrap-up "Hogcock!" and "Last Lunch," which might be among the finest achievements of the show. Set after show-within-the-show "TGS" has been cancelled, it sees Fey's Liz Lemon stewing as a stay-at-home mom, Jack Donaghy (Alec Baldwin) trying to find new satisfaction after reaching his dream job, and immortal redneck page Kenneth (Jack McBrayer) settling into his new gig as the head of NBC. It's easy for a series finale, especially one for a show as long-running as this one, to turn out something self-indulgent and self-satisfied. There's certainly a ton of callbacks here, everything from Kenneth's magical qualities to Jenna's long running affair with Mickey Rourke, but they're not just references, they're subversions or additions to long-running gags, rather than just mere fan service. It retains the elements that made the show so beloved—sharp satire, nibbles at the hand that feeds them, A-list cameos (Julianne Moore! Ice-T!), pop culture references (there's always time for a Temple Grandin joke) bonkers, surreal riffs, and Alec Baldwin saying things like "Ass attack." But sensibly, it also grounds its second half in the friendship between Liz and Jack, the long-running spine of the show, leading to a genuinely emotional conclusion. And when that emotional conclusion is scored to an incomprehensible song from the Broadway adaptation of "The Rural Juror," you know you're witnessing TV greatness.

5. "Girls" - "One Man's Trash" (Season 2, Episode 5)
Even more so than the first, the second season of “Girls” was a bit of a mixed bag. But unlike its debut season which always snapped back to the core foursome, this sophomore outing became a much darker show that tested its audience who had tuned into a series about female friendships and got one about girls (mostly separately) in crisis. That audacious strategy found creator Lena Dunham exploring the boundaries of what the show could be and may have resulted in some storylines we could’ve done without (visiting Jessa’s Dad for one) but also yielded some of the series’ best installments. Standouts included the flat-out funniest episode of the series thus far, “Bad Friend” a.k.a. The One Where They Do Coke, “On All Fours” a.k.a. The One Where Adam Um, Does That Thing To His Girlfriend, and “One Man’s Trash” a.k.a. The Patrick Wilson episode. Probably the most divisive episode of appointment television this year, “One Man’s Trash” was (sorry haters), also one of the best. When the dust settled, it was clear that there was a growing divide between the two very different audiences watching the show. Former “Sex And The City” addicts wondering where all the other girls went felt that this bottle episode tested their patience with the increasingly dark series but those willing to let Dunham chase down her muse found one of the most unique half-hours of scripted television in quite some time.

The setup is simple: Dunham’s Hannah meets Joshua (Wilson), a handsome recently divorced doctor and the two impulsively hook up and spend an incredibly intimate weekend together. Expertly directed by Richard Shepard (“The Matador,” “Dom Hemingway”), “One Man’s Trash” plays more like a short film, sidelining all of the supporting characters to focus on the inner life of Hannah, a character we’ve seen talk a lot about what she says she wants. But over the course of their brief time together, Hannah drops her defenses and admits that she just wants a normal (read: boring) life too, just like everyone else. Many were repelled by Hannah’s selfishness, (after she confesses her secrets to Joshua, he tries to return the favor only to be ignored), but Dunham never intended to endorse her onscreen persona’s actions, only to create an interesting character, which has resulted in some extremely polarizing reactions from viewers. One of the best things Judd Apatow did when he came on board as producer was actually not to teach the former indie filmmaker too much about the medium and because Dunham isn’t saddled with the rules of how TV is supposed to work, she’s free to break them. Never has that freedom been put to better use than on this unforgettable episode. While we’re hoping that Season 3 is a little more consistent, when the highs are this high, who can complain?

4. "Enlightened" - "Higher Power" (Season 2, Episode 3)
Mike White's "Enlightened," while sadly cut down in its prime, was one of the major TV treats of 2013, and picking out a single episode is almost impossible. But such is the quality of "Higher Power" that, despite it being wildly different from the rest of the series and barely featuring Laura Dern's Amy (one of the great TV creations of the last few years), it ultimately became the natural choice. Breaking away from the main storyline, it follows Levi (Luke Wilson), Amy's ex-husband, as he goes to the Hawaiian rehab center that changed her life in a bid to overcome his own substance-abuse issues. Like a 30-minute mini-movie, related mostly in voiceover via letters from Levi, it sees him go from skeptical and irritable to someone who, while he hasn't been "enlightened" like his ex, is going to try his damnedest to make a genuine recovery. He nearly doesn't get there, escaping the center with new friends Dani and Travis (Ashley Hinshaw from "Chronicle," and former "Girls" star Christopher Abbott, both doing killer work), and drinking and snorting their way into oblivion. But when he wakes up the next morning, he sees the light in a way that his younger friends can't. It's one of the more moving and truthful depictions of addiction and recovery we've seen on television, aided by top-class writing and direction from creator White. And perhaps more than anything, it marks the return of Luke Wilson, whose star has dimmed in recent years after a series of questionable choices, but reminds everyone here that he's more than worthy of a comeback.

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18 Comments

  • Janice | January 15, 2014 9:22 PMReply

    What about the season 6 finale of Sons of Anarchy!? That episode was jaw dropping!

  • Josh | January 11, 2014 11:15 PMReply

    When does Broachurch get "silly"

  • Jerry | January 10, 2014 9:48 PMReply

    Really? Not even a MENTION of the Doctor Who 50th Anniversary special? That was the most well-received episode of the longest-running sci-fi show of all time!!

  • NewYorker | December 19, 2013 1:26 PMReply

    my 15 favorite new tv shows of 2013 are defently
    1-Dads
    2-Agents Of S.H.I.E.L.D.
    3-Liv and Maddie
    4-Brooklyn Nine Nine
    5-The Goldbergs
    6-Sam & Cat
    7-The Millers
    8-Trophy Wife
    9-Bates Motel
    10-The Fosters
    11-Real Husbands Of Hollywood
    12-Mom
    13-The Haunted Hathaways
    !4-Twisted
    15-Super Fun Night

  • Kyle | December 20, 2013 4:30 PM

    Come one man, Agents Of Shield...really ?

    Plus, some of those shows have been cancelled..............

  • Michael Bycroft | December 19, 2013 7:42 AMReply

    The mid-season finale of 'The Walking Dead' was possibly one of the best episodes of the series so far, completely drained me of all emotion. Left me feeling weird and numb, one of those episodes where you kind of wish you'd never seen it in the first place.

    And the season finale of 'Homeland' aired this week was brilliant too, brilliantly tying up all the loose ends and story arcs of the past three seasons. Although I'm very scared for where season 4 is gonna go, I'd much rather that episode was a SERIES finale rather than just the end of a season. Although I'd hate to see one of my favourite programmes end, I don't think they'll be able to top that episode when it actually does come to the series finale further down the line.

  • Delilah Joe | December 17, 2013 4:37 PMReply

    The final episode of Bunheads - "Next!" with its amazing audition sequence, musical numbers and gut wrenching "nobody said it would be easy" ending for girls and women has to be up there. Has to.

  • Ibod Catooga | December 15, 2013 10:13 PMReply

    I negated a negrooo. Lololol ROFL COMPTER

  • MadFan | December 13, 2013 9:40 PMReply

    It's no longer Sterling, Cooper, Draper & Price. The firm is now called Sterling, Cooper & Associates.

  • - | January 3, 2014 10:52 AM

    Wasn't it Sterling Cooper & Partners?

  • Thomas Maier | December 13, 2013 12:31 AMReply

    I think Michelle Ashford has pulled off a brilliant translation of my book. For more: NPR’s ‘Fresh Air’ Talks Again About Masters of Sex! http://amzn.to/18bEF8n http://bit.ly/1gvgD0g #mastersofsex http://n.pr/1aXjBD7

  • Willy | December 12, 2013 9:57 PMReply

    Please do a best tv character list just for Madison Montgomery.

  • TheoC | December 12, 2013 6:58 PMReply

    Great shout on the Enlightened episode, Wilson is so good in that. I really like Girls, but I found that episode the most indulgent of the series and the easiest ammunition for the anti-Dunham people, Patrick Wilson begs her for sex! anyway another nice feature.

  • Meals | December 12, 2013 5:29 PMReply

    Showtime's Masters of Sex tends to eclipse Ann Biderman's strong Ray Donovan, which is a shame. The second last episode of that, where the priest is held in the boxing gym was brilliant. The final reveal completely changed our reading of Ray and added new layers to his hatred of Jon Voight's character.
    And Top of the Lake - in Australia it screened differently (6 not 7 episodes) so it's hard to pinpoint one but something in the middle when Robyn's backstory was explored, as was Johnno's.

  • Jamey DuVall | December 12, 2013 5:06 PMReply

    Bravo on including that particular episode of 'Masters of Sex', a show I think is being underrated in general.

  • Erik | December 12, 2013 4:46 PMReply

    I would've put up 'The Ghost Is Seen" as the best Enlightened episode. I found that such a perfectly moving, sad yet hopeful episode.

  • Howie | December 13, 2013 3:50 AM

    I would have picked that one too. While I also loved Levi's episode, I found "The Ghost is Seen" much more riveting. It was also interesting and fun to see Amy, who has been the main focal point of the show, basically acting as the wacky comic-relief supporting character for once. And that voice-over narration was just fantastic. It was one of the most perfect episodes of television.

  • Sean | December 12, 2013 8:16 PM

    Both are good eps but I agree. The Mike White centred episode was heartbreaking in so many ways.

    I also think Six Minutes from the Killing deserves a spot. At least more so than the P&R episode choice.

    And personally, I thought the Boys episode of Girls was way better.

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