Click to Skip Ad
Closing in...
Hackers Now Reportedly Say Sony Can Release 'The Interview,' But With Changes Hackers Now Reportedly Say Sony Can Release 'The Interview,' But With Changes George Clooney Pushes For VOD Release Of 'The Interview,' Calls Out Hollywood For Lack Of Courage George Clooney Pushes For VOD Release Of 'The Interview,' Calls Out Hollywood For Lack Of Courage Watch: Sony Releases "In Franco And Rogen We Trust" Promo For 'The Interview' Watch: Sony Releases "In Franco And Rogen We Trust" Promo For 'The Interview' Watch: The Style Of Wes Anderson, Quentin Tarantino, David Fincher, Terrence Malick & More Recreated With Stock Footage Watch: The Style Of Wes Anderson, Quentin Tarantino, David Fincher, Terrence Malick & More Recreated With Stock Footage Surprising Full Cast Revealed For Jason Reitman's Live Read Of 'Star Wars: Episode V - The Empire Strikes Back' Surprising Full Cast Revealed For Jason Reitman's Live Read Of 'Star Wars: Episode V - The Empire Strikes Back' Sony Officially Yanks 'The Interview' From Release Following Hacker Threats Sony Officially Yanks 'The Interview' From Release Following Hacker Threats The 21 Best Performances Of 2014 The 21 Best Performances Of 2014 The 12 Best Shots Of 2014 The 12 Best Shots Of 2014 Baffling First Official Synopsis For Terrence Malick's 'Knight Of Cups' Unveiled Baffling First Official Synopsis For Terrence Malick's 'Knight Of Cups' Unveiled Rumor: 'Batman v. Superman: Dawn Of Justice' Will Address Fan Complaints From 'Man Of Steel' Rumor: 'Batman v. Superman: Dawn Of Justice' Will Address Fan Complaints From 'Man Of Steel' Watch: Christian Bale Goes On A Hedonistic Journey In First Trailer For Terrence Malick's 'Knight Of Cups' Watch: Christian Bale Goes On A Hedonistic Journey In First Trailer For Terrence Malick's 'Knight Of Cups' The 20 Best Movie Posters Of 2014 The 20 Best Movie Posters Of 2014 Recap: 'The Newsroom' Series Finale, Season 3, Episode 6 'What Kind Of Day Has It Been' Recap: 'The Newsroom' Series Finale, Season 3, Episode 6 'What Kind Of Day Has It Been' More Leaks Reveal Reported Plans Around ‘Star Wars’ Episodes 8 & 9 More Leaks Reveal Reported Plans Around ‘Star Wars’ Episodes 8 & 9 Sony Leaks Reveal ‘Aquaman’ Director, ‘X-Men’/’Fantastic Four’ Crossover Plans & More Sony Leaks Reveal ‘Aquaman’ Director, ‘X-Men’/’Fantastic Four’ Crossover Plans & More Review: Assassination Comedy ‘The Interview’ Starring Seth Rogen, James Franco, And Lizzy Caplan Review: Assassination Comedy ‘The Interview’ Starring Seth Rogen, James Franco, And Lizzy Caplan The 20 Best Films Of 2014 The 20 Best Films Of 2014 Watch: 3 Graphic, Very NSFW Clips From Lars von Trier's 'Nymphomaniac Vol II — Director's Cut' Watch: 3 Graphic, Very NSFW Clips From Lars von Trier's 'Nymphomaniac Vol II — Director's Cut' The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki

The Essentials: 5 John Schlesinger Films You Can't Miss

The Playlist By The Playlist Staff | The Playlist July 27, 2012 at 9:56AM

He’s not a name that many young filmmakers reference these days, but British director John Schlesinger quietly managed a career spanning five decades, with a small fistful of classics to his name. A former actor, Schlesinger moved into documentaries in the late 1950s, graduating to features soon after, and worked fairly prolifically until 2000’s “The Next Best Thing” (admittedly a rather ignominious end to a great career), a film released only a few months before he passed away from a stroke.
8
John Schlesinger

He’s not a name that many young filmmakers reference these days, but British director John Schlesinger quietly managed a career spanning five decades, with a small fistful of classics to his name. A former actor, Schlesinger moved into documentaries in the late 1950s, graduating to features soon after, and worked fairly prolifically until 2000’s “The Next Best Thing” (admittedly a rather ignominious end to a great career), a film released only a few months before he passed away from a stroke.

This week marks the ninth anniversary of his death, on July 25, 2003, and with the recent news that his “Sunday Bloody Sunday” is getting the Criterion treatment, it felt like a good time to push past the acclaimed Hollywood pictures that everyone knows -- “Midnight Cowboy,” “Marathon Man” -- and look at some of the director’s works that go less celebrated these days. A master visual storyteller, Schlesinger was able to speak volumes with his camera, reading between the lines of his scripts. The man who made Julie Christie a star worked with many of the same actors again and again and drew out naturalistic and nuanced performances while always putting character first, and as one of the few openly gay directors in Hollywood, was responsible for some of the most forward-thinking looks at sexuality of their era. Here are some of our favorites that you should seek out or rewatch in the run up to Criterion’s release of “Sunday Bloody Sunday” in October.

Billy Liar
"Billy Liar" (1963)
Having won the Golden Lion at Venice for the documentary "Terminus" and the Golden Bear at Berlin for his fiction debut "A Kind of Loving" in consecutive years, Schlesinger had a lot to live up to with his third film. Fortunately, he made "Billy Liar," a seminal entry into the "British New Wave" movement that's a little stranger and funnier than some of its contemporaries. Based on both the novel by Keith Waterhouse and the play by Waterhouse and Willis Hall, the film follows William "Billy" Fisher (Tom Courtenay, who'd taken over for Albert Finney in the West End run of the play), an undertaker's clerk in a village in Yorkshire who also happens to be a compulsive liar, indulging in fantasies of fame and escape. Not so much Angry Young Man as Restless And Petulant Young Man, Billy's engaged to two girls already, but falls in love with a third, the spontaneous, free-spirited Liz (Julie Christie in her breakout role, and making a strong claim for the title of most beautiful woman in the history of mankind), and starts to become more serious about his plans to go to London as a television screenwriter. The film's a little more charming and light than some of its contemporaries in the British New Wave (feeling sometimes like a precursor to "The Graduate" -- it's no surprise that Dustin Hoffman has picked Courtenay for the lead in his upcoming directorial effort "Quartet"), but the sense of a changing era -- buildings torn down around Billy, the face of his home about to change forever -- haunts the film, and Billy certainly has the rebellious streak of the 1960s in him. It could be an unlikable part, but Courtenay, in a really marvelous performance, just about keeps us on his side. And when he fails to board the train to London with Liz at the end, still lying to her and, to a degree, himself, our heart doesn't just break for him, but we also understand that he might be preparing to grow up, staying at home to fix the life he already has and not running away to find a new one. The film was forgotten in the U.S. for a long time, but a Criterion release has helped it to win the acclaim it's long deserved.

Darling
"Darling" (1965)
Tom Courtenay may have been the star of “Billy Liar,” but Julie Christie walked away with the movie, just a-swinging her purse right onto that train to London where we pick her up (ostensibly) in “Darling.” It’s not the same character, but the same kind of character, one whom fascinated Schlesinger; the modern independent woman, sexually free and resisting against the norms of marriage but held back by a society that hasn’t quite evolved enough to contain her. Schlesinger and Christie achieved that symbiotic director-star relationship, where she was simply a natural extension of her persona and he captured it beautifully. Christie is magnetic as model Diana Scott, drifting to and from different men in swinging '60s London, and she was deservedly rewarded with a Best Actress Oscar for the film. Schlesinger was nominated for Best Director, and he captures the unique energy of London at the time in stylish black and white, a smooth yet kinetic camera seeing all aspects of Diana’s world, never judging, but never shying away from some of the ugly truths in her often glamorous life. Diana ends up frozen in a prison of her own design, and the character at the end of the film is quite depressing compared to the free, careless pixie she once was, but Schlesinger makes it clear that it is society that truly imprisons Diana despite the choices she has to live with. “Darling” continued the world that was built in “Billy Liar” and Schlesinger proved his talent and absolute brilliance with a camera with his third feature.

This article is related to: John Schlesinger, Features, The Essentials, Julie Christie, Tom Courtenay


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates