Click to Skip Ad
Closing in...
New NSFW, Extremely Graphic, Adults-Only Poster For Gaspar Noe's 'Love' New NSFW, Extremely Graphic, Adults-Only Poster For Gaspar Noe's 'Love' First Official Look: Jared Leto As The Joker In 'Suicide Squad' First Official Look: Jared Leto As The Joker In 'Suicide Squad' Joss Whedon Says He Earned More Making 'Dr. Horrible' Than 'The Avengers,' Weighs In On Marvel Vs. DC Joss Whedon Says He Earned More Making 'Dr. Horrible' Than 'The Avengers,' Weighs In On Marvel Vs. DC Tom Hardy Met Mel Gibson And Made Him A Bracelet, Says Michael Fassbender Was "The Sh*t" In School Tom Hardy Met Mel Gibson And Made Him A Bracelet, Says Michael Fassbender Was "The Sh*t" In School Native Actors Walk Off Set Of Adam Sandler's 'Ridiculous 6' Over Disrespectful, Insulting Script Native Actors Walk Off Set Of Adam Sandler's 'Ridiculous 6' Over Disrespectful, Insulting Script Watch: Johnny Depp Rages As Whitey Bulger In First Trailer For Gangster Tale 'Black Mass' Watch: Johnny Depp Rages As Whitey Bulger In First Trailer For Gangster Tale 'Black Mass' Gaspar Noe's 3D 'Love' And More Added To Cannes Film Festival Lineup Gaspar Noe's 3D 'Love' And More Added To Cannes Film Festival Lineup First Look: Johnny Depp Goes Gangster In As Whitey Bulger In 'Black Mass' First Look: Johnny Depp Goes Gangster In As Whitey Bulger In 'Black Mass' Watch: Tom Hanks, Leonardo DiCaprio, Anne Hathaway, Michael Fassbender And More Talk The Art Of Acting Watch: Tom Hanks, Leonardo DiCaprio, Anne Hathaway, Michael Fassbender And More Talk The Art Of Acting Review: Marvel’s ‘Avengers: Age Of Ultron’ Starring Robert Downey Jr. Chris Evans, Scarlett Johansson & More Review: Marvel’s ‘Avengers: Age Of Ultron’ Starring Robert Downey Jr. Chris Evans, Scarlett Johansson & More Watch: Quentin Tarantino, David Fincher, Christopher Nolan, And More Talk The Art Of Filmmaking Watch: Quentin Tarantino, David Fincher, Christopher Nolan, And More Talk The Art Of Filmmaking Christopher Nolan's Favorite Sequence From His Movies Is The Airplane Kidnapping Scene From 'The Dark Knight Rises' Christopher Nolan's Favorite Sequence From His Movies Is The Airplane Kidnapping Scene From 'The Dark Knight Rises' Joss Whedon Calls Edgar Wright's 'Ant-Man' "The Best Script Marvel Ever Had," Warns Of Serialized Moviemaking Joss Whedon Calls Edgar Wright's 'Ant-Man' "The Best Script Marvel Ever Had," Warns Of Serialized Moviemaking The 41 Most Anticipated Movies Of Summer 2015 The 41 Most Anticipated Movies Of Summer 2015 Watch: First Teaser For 'Star Wars: Rogue One,' Plot Details Confirmed Watch: First Teaser For 'Star Wars: Rogue One,' Plot Details Confirmed The 25 Best Films Of 2015 We've Already Seen The 25 Best Films Of 2015 We've Already Seen Best Of 2014: The 15 Best Movie Soundtracks Of 2014 Best Of 2014: The 15 Best Movie Soundtracks Of 2014 The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki

The Complete Woody Allen: A Retrospective Pt. 2 (1992-2011)

The Playlist By The Playlist Staff | The Playlist May 20, 2011 at 7:54AM

Woody Allen's latest, "Midnight in Paris," begins its roll-out in theaters today, and with it comes the second part of our complete retrospective on the great writer-director's work. (check out yesterday's Part One here). We pick up in 1992, with "Shadows and Fog."
20
Woody Allen

Woody Allen's latest, "Midnight in Paris," begins its roll-out in theaters today, and with it comes the second part of our complete retrospective on the great writer-director's work. (check out yesterday's Part One here). We pick up in 1992, with "Shadows and Fog."


It's generally seen that the last 20 years have been something of a downswing for Allen: most, if not all, of his worst films have come from this period. But there's plenty of gems below as well, including films that didn't necessarily get the love they deserved at the time. In the meantime, "Midnight in Paris" is one of the director's best films in a while (read our Cannes review here), and we hope that his next film, a Rome-set comedy with Alec Baldwin, Penelope Cruz, Ellen Page, Jesse Eisenberg and Roberto Benigni and the first on-screen performance from Allen in six years, continues the trend.

“Shadows and Fog” (1992)
Shot in luminous, shrouded black and white by Michelangelo Antonioni cinematographer Carlo DiPalmi, doing his best German Expressionist, G.W. Pabst and F.W. Murnau impression, the appropriately titled "Shadows and Fog" is an ambitious entry in the director's catalog. Here, Allen takes the starring role in this Kafka-esque comedy of misunderstandings as an especially sniveling and cowardly bookkeeper who is innocently caught up in a vigilante group that is searching for a local serial killer who has thus far eluded the police (major hat tip to Fritz Lang's "M"), in an unnamed European city in the 1920s. A second story, which eventually meets up with the first, revolves around a circus clown (John Malkovich) searching for his sword-swallower girlfriend (Mia Farrow) who gets mixed up in the intrigue happening in a nearby whorehouse and the desolate scary streets of London where a strangler (and angry mobs) currently roams unfettered. Featuring an excellent supporting cast including John Cusack, Madonna, Kenneth Mars, Kathy Bates, Jodie Foster, Julie Kavner, William H. Macy, Wallace Shawn, and Lily Tomlin, "Shadows and Fog," is vintage Woody Allen. [B]

“Husbands and Wives” (1992)
If "Husbands and Wives" has a moral, it's that marriage is not the happily ever after -- just the "after." It's Allen's usual cast of Upper East Side residing, bundle of neuroses, waxing lyrical about relationships. The film follows two married couples and best friends -- Gabe and Judy (Woody Allen and Mia Farrow) and Jack and Sally (Sydney Pollack and Judy Davis) -- the latter of which have decided amicably to separate, or at least they say it's amicable. Jack and Sally test the dating pool and the limits of their own independence and dependence on each other. Meanwhile Gabe and Judy find the base of their relationship shattered, as Gabe finds himself attracted to a young precocious student (Juliette Lewis) and Judy develops feelings for a man in her office (Liam Neeson). The ensemble all perform brilliantly, in particular Davis, as the brilliant and uber-neurotic Sally who was nominated for a Best Supporting Oscar for her excellent turn in the film (Woody was also nominated for his writing). The film, shot in documentary style with seemingly few lights and effects to pretty things up, does nothing to endear you to the "ugly" characters, but aesthetically it's a very inspired move and a breath of fresh air and B-12 shot to the creative energy of the film. The dialogue as always is on point, and lightens the heaviness of watching relationships decay because they refuse to change. [B+]

This article is related to: Feature, Midnight In Paris, Woody Allen


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates