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Pat moves back home with his homemaker mother (Jacki Weaver) and obsessive Philadelphia Eagles fan father (Robert De Niro), who has become a bookie after losing his pension. He goes to therapy sessions with Dr. Patel (Anupam Ker), and is reading the syllabus his wife, a public school teacher, has put together for her students in order to understand her better. Refusing to take meds, he still struggles to control his emotions (his reaction after getting to the end of Ernest Hemingway's "A Farewell To Arms" is one of the many highlights of the film) and is unable to filter his thoughts. But he meets his match when he's introduced to Tiffany (Jennifer Lawrence), who is still reeling from the death of husband, and has acted out in her own self-harming ways. And as you might guess, the two form a unique bond that helps them overcome their own personal issues.
But none of this works without some carefully developed, and perfectly pitched performances from the leads, and Bradley Cooper and Jennifer Lawrence, who both arguably give career best, awards-worthy performances. We've frankly never seen Cooper in a role like this, one that requires him to not only to carry the film, but to play a nuanced character in Pat who is big in personality, but also tremendously vulnerable. And Cooper toes all of it deftly, both commanding and pushing the story forward. He's also outrageously funny. Lawrence may be an even bigger surprise to many as Tiffany, a young woman who is sexy, tough and also easily bruised, who not only has to manage Pat's unpredictable nature, but also keep herself on an even keel to stop from sliding into self destructive tendencies. And the actress simply nails it, and one particular showdown with De Niro is awards-reel ready, and earned deserved applause as well from the TIFF press audience.
Granted, "Silver Linings Playbook" isn't the deepest movie you'll see this year, and ultimately doesn't say anything new about how men and women relate. But Russell's film says it in a manner that is a true joy to watch. His films have always been a bit rough around the edges, with a bit of a sense of anarchy about them, but this is the director at his most focused. And yet, it doesn't come at the loss of his sense of verve and timing, and still retains a looseness while never losing track of where the characters and story need to go.
It's easy to understand why The Weinstein Company presented footage from this film along with "The Master" and "Django Unchained" in Cannes for press, because there is no doubt this will be a contender. Yes, the marketing presents it as a big broad comedy -- and it certainly is -- but it's also a unique and involving tale of two outsiders who together find a way to get on with life after it has dealt them some bad hands. And the silver lining is a film that is worth every satisfying minute you spend with it. [A]
20 Comments
Jules | September 10, 2012 7:00 PM
Great review!. The buzz surrounding Jennifer Lawrence's performance is incredibly strong; everyone is talking/writing about how amazing she is in this film so, between the extremely positive word of mouth, the undeniable chemistry between Lawrence and Cooper and the fact that it was filmed/takes place in Philly makes me REALLY want to see this film.
DG | September 9, 2012 9:10 PM
Good news
Mr Anonymous | September 9, 2012 8:23 PM
Another film where Bradley Cooper displays his fantastic acting chops. Seems like 2012 is going to be a good year for Cooper with this and Place Beyond The Pines. I wouldn't be surprised if he gets Oscar nominated next year.
Travis | September 9, 2012 3:15 PM
Your review makes it sound-not necessarily in the way it's done, just in terms of a comparison-like "As Good As It Gets," a film that was a comedy but was never firmly placed in that category that featured two leads (the male being the main focus) that give incredible performances and an incredibly strong supporting member. Does that comparison sound right? I hope so. I love that film
cwn | September 9, 2012 2:16 PM
God I am sick of the Jennifer Lawrence hype. I've watched pretty much all her movies and see nothing special.
Oogle monster | September 9, 2012 1:45 PM
David O. Russell makes my skin crawl.
Sandy | September 9, 2012 1:22 PM
Why does a film have to say something about "how men and women relate to each other," if it shows how one woman and one man -- two individuals - relate to each other? Isn't that actually what it should all get down to in the end? It sounds like the critic's asking for some shallow gender stereotyping this movie blessedly avoids.
amok | September 9, 2012 12:58 PM
Lawrence is one of the most talented actresses I've ever seen. Between this and the Hunger Games she better be nominated for something. Quite a year.
Yent | September 9, 2012 12:49 PM
Thrilled for J. Law but I can't get back how big of a douche Russell is/continues to be. Plus I still think him getting nominated over Nolan in 2010 for Best Director was hogwash. I know you guys tend to say that you don't compare letter grades from one film to another, but I'm a little bummed this film has been given a solid A and not my favorite film of 2012 (thus far) THE MASTER. In any case, thanks for all of these review Kevin.
Christianf | September 9, 2012 12:23 PM
Robert De Niro is back, acting well in a great film? Am I dreaming? Thanks, David O. Russell!