The start of the film allows the assumption that Rachel Nichols, the biggest name in the cast and also a producer, will be our heroine Jamie. Waking in a dark room, she flashes back to a quiet date earlier that night, having disclosed to her male companion that she always wanted to be a professional kickboxer. She begins to put the pieces together, remembering her kidnapping at the end of the night, landing her in a pit with Sabrina (Zoe Bell). The two engage in fisticuffs, each one giving as hard as they can take, and it’s thrilling to see these two equal combatants match skills.
The setup is casually familiar, harkening back less to the Roger Corman prison cheapies and more to “Saw” and its ilk, the highly fatalistic idea of an omnipotent force watching over us, forcing us into unwinnable situations. Don’t think it was lost on the industry that the demographic for the “Saw” films was roughly half-female: the sense of powerlessness and acceptance of defeat in a patriarchal society clearly resonates. You wonder if so much thought went into “Raze” however, with its prison cells for captive women an attempt to allow a “survival of the fittest” competition to allow for the eventual rise of female Amazons to the top of society’s food chain.
The gatekeepers of this particular competition are actually a mousy couple played by a grandstanding Doug Jones and a motherly Sherilyn Fenn, and while it’s clear they’re also staging these battles for an audience, we have no idea who that is supposed to be. Is there a pay-per-view deal like the dunderheaded “Death Race” remake? Is this streaming online? Is this sanctioned by everyone or no one? The idea of the subjugation of women in private in rural areas is a sharp idea, as is the possibility of the same occurring in a wide open public environment for the masses. Would be nice if “Raze” had a point to make about this sort of thing.
This mostly feels like a waste as far as Zoe Bell’s Sabrina, given that with very little writing, her character is smart, tough and resourceful. She triumphs over the violence perpetrated on her by giving a real star performance, emotionally vulnerable but mean as hell, and you get the feeling that if there were less fighting and more character work, not only would Bell knock it out of the park, but “Raze” would be a better, more interesting movie. Were this more of an action film, it would be a thrill to see Sabrina rise up the ranks, demolishing her competition. But because the movie seems determined to remind you the whole system is jerry-rigged and the oppressors will always have the power, it feels like a cheat. Like “Foxy Brown,” “The Long Kiss Goodnight” and “Kill Bill” before her, Sabrina deserves to transcend the challenges thrown her way, to emerge victorious over a corrupt system. However, it does seem as if Waller and writer Robert Beaucage, are too busy coming up with new ways to keep her under the story’s thumb. [C]