The slow-motion clip features Jones walking through a hallway full of flowers before ending up at the room featured in some early images where co-star Sarah Gadon lies motionless. Did we mention it was creepy? Our Cannes review excitingly described the flick as having a "deliciously dark streak and an undeniably unique narrative that goes to some fascinating, twisted places. It's exactly the oddball and crooked tale you'd want and expect from a Cronenberg with all the gratuitous blood, pus, bone and multiple closeups of needles piercing skin you could ask for."
We'd expect the film to follow its Croisette venture with an appearance at TIFF, and hopefully somewhere between the two, the pic can manage to find distributor. Surely someone would love to get into/remain in his father's good book? [Flix.gr]