3. AT&T "Actor" (2007)
Again this is part of a series, this time of 3 ads, that Anderson shot for AT&T in 2007. In each, the basic idea is the same, as three professional men talk over a series of swinging backdrops and rotating platforms to illustrate the AT&T's wide coverage. You can watch "Reporter" and "Salesman" below too, but we've chosen "Actor" as the standout because of the casting and the greater sense of fluidity and depth to the in-camera effects and scenery changes.
2. Prada Candy "Episode 1" & "Episode 2" (2013)
A little cheat here, as we can't find much to choose between the first two installments of the 3-part Prada Candy "film" that Anderson directed with Roman Coppola this year. Full disclosure: there's almost nothing on the face of the planet apart from maybe childhood smallpox that this writer despises more than the average perfume commercial (those aggravating interest vacuums wherein tragic Scarjo pouts and says something fauxnigmatic or Nicole Kidman "lahves to dahhhnce!"), but these are definitely a cut above. Lea Seydoux (who shot a few days on "Grand Budapest Hotel" as well) is appropriately adorable, especially when stuffing her face adorably, but the ads mostly win us over for actually telling a story, as aspirationally Frenchified as it might be. So aside from the orgasmically fetishized design and accessorizing (oh, the cute way her handbag bounces around as she goes up the stairs!), the whole endeavor is a frothy, witty, mischievous way to sell perfume as a lighthearted lifestyle accessory, as opposed to a philosophical statement on transience and mortality coming from noted philosopher Brad Pitt -- Chanel, please take note. "Episode 3" doesn't have quite the same insouciance and gets a titchy bit smug, but the other two are great.
1. American Express "Wes Anderson" (2006)
And so we come to the undisputed masterpiece of Anderson's commercials career -- not just our favorite of his commercials, but one of our favourite commercials ever, period. And of course, that's largely because it's a fond and skewed look at filmmaking itself, simultaneously a send-up and a celebration of the process, in which Anderson fully embraces his image as a whimsical, mercurial, ringmaster ("Can you do a .357 with a bayonet?" "Are those my birds? I need those") and has great fun in the process. Almost as full of quotable lines as a whole two-hour movie and featuring Jason Schwartzman (whose "Francois!" followed by the hat bit always makes us laugh) and Roman Coppola as Francois himself, the ad might not sell American Express directly, but it does make us favorably disposed toward a brand that would fork over this amount of cash for Anderson to basically goof around. So, job done there. If you haven't seen this, you're in for a treat, and if you have, rewatch it and we guarantee you'll see something new.
An Honorable Mention has to go to Anderson's 2002 ad for Ikea in which a family has a huge row in an Ikea showroom because they feel so at home there, but we didn't give a spot in the top 5 here because despite its importance in advertising terms, it's an early commercial for Anderson and the direction is somewhat anonymous.
Also missing the list is this Japanese ad for Softbank starring Brad Pitt in a Jacques Tati-inspired spot that, while boasting a lot of Anderson flourishes right down to the scout troupe, feels too stiff from Pitt and also ends in that baffling WTF? way that Japanese ads often do.
We felt the performance and the animation in the Sony Xperia commercial felt oddly forced and not as charming as it wants to be.
While this 2005 commercial for Dasani feels more like an Anderson imitator than Anderson himself - perhaps that's why it's so difficult to get a hold of and why the quality is so poor.
If you still want a little more Wes, however, you can check out the video below in which he and Jason Schwartzman wander around a Borders store talking about music and movies they love. It's totally indulgent and hardly essential, but we do enjoy just the very idea that Anderson even watched "300" so it's worth it for that.