And so while there's always reason to doubt the tall-tale telling Millar, here's a recent scenario which doesn't create as much skepticism, largely in part because it has to do with a project he has nothing to do with: Reacting to the recent news that Warner Bros. has hired "Gangster Squad" screenwriter Will Beall to pen the studio's newest iteration of the D.C. Comics "Justice League" movie, Millar said he had heard that the adaptation sounded "mature and dark."
"A pal of mine is good friends with the new Justice League screenwriter and said his take on the team is incredible. Very real-world and not at all what you might expect," Millar said on his public web forum yesterday via CBM. "WB has a (sic) chequered history with their superhero characters. They're great with their boy wizards, but less consistent with their DC stable. But my chum said that this could be a thing of beauty and has been in the works for a little while now, not just an 'Avengers' knock-off. Best of luck to them. The tidbits I heard sound quite dark and mature, which isn't what I expected. But word on 'Gangster Squad' is great too so I feel this is in really good hands." Clearly, Millar is talking about Beall, even if he doesn't mention him by name.
And so what, right? But "mature and dark" are not two descriptors that comic book fans immediately associate with the Justice League, even though there have been several stories involving that super hero super-group that fit that description ("Cry for Justice," "Countdown to Final Crisis" and "Final Crisis" being just a few). For context, like Marvel's "The Avengers," "Justice League" is a huge deal. The group houses iconic heroes and lucrative properties and characters like Superman, Batman, Wonder Woman, Green Lantern, The Flash, Aquaman and many more -- essentially every flagship D.C. Comics character. It's no wonder than WB put the kibosh on a rushed version in 2008 that George Miller ("The Road Warrior") would have directed. It fell apart due to the 2007/2008 writer's strike (its script needed work and screenwriters weren't available), but featuring a host of largely unknown and very young actors playing the parts (Adam Brody as The Flash, a then totally-unknown Armie Hammer from "The Social Network" as Batman, for example), it was a project ripe for embarrassment, and was routinely mocked as Justice League Kiddies by online fans. A writer's strike or not, that project seemed doomed for failure, and tarnishing the brand is not the way any studio wants to begin when launching a franchise full of beloved and iconic characters (see "Green Lantern" which was a massive setback for Warner Bros. creatively, financially and from a brand perspective).