You Can't Please Everyone: Negative Reviews Of Some Of The Best Loved Films In Cinema History

Features
by Oliver Lyttelton
July 17, 2012 10:02 AM
34 Comments
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"The Searchers"

"The Searchers" is somewhat disappointing. There is a feeling that it could have been so much more. Overlong and repetitious at 119 minutes, there are subtleties in the basically simple story that are not adequately explained... Wayne is a bitter, taciturn individual throughout and the reasons for his attitude are left to the imagination of the viewer... The John Ford directorial stamp is unmistakable. It concentrates on the characters and establishes a definite mood. It's not sufficient, however, to overcome many of the weaknesses of the story." - Ronald Holloway, Variety

I was bored, it's Sunday and sat down really looking forward to this supposedly great western to fill the evening void. Maybe I'm not qualified to comment fully as I didn't make it past half an hour. I figure if a film hasn't grabbed me by then it probably won't get any better. Usually a rubbish film will grab you then go downhill but this.......... well, first off I'm English and even I know that those funny things sticking out the earth don't come from Texas they're somewhere in Utah. That's the first insult. It may be great scenery but great scenery a great film it doth not make. And there's nothing glorious about glorious Technicolor either. It's like being hit on the head with a sledgehammer. Then, oh I dunno just that dumb acting from that time, those stupid children full of beans and cockadoodle dandy acting just irritate the hell out of me as if lots of energy will make up for real acting. Embarrassing. The story just plods along and doesn't build any tension whatsoever with a lot of hammy acting by our stars more fit for a TV show. Then it's just cliché after cliché and the end result is wishing the maker of this film would stop insulting my intelligence and pi** off. I disliked John Wayne as a small boy because I thought he was boring. I think he's boring now. If you wanna watch a good Western with interest and real characters, story development, tension and drama that sucks you in watch Unforgiven. I'll never forgive this pile of dross. - jackbenimble, IMDB

"2001: A Space Odyssey"

"A major achievement in cinematography and special effects, "2001" lacks dramatic appeal to a large degree and only conveys suspense after the halfway mark.... The plot, so-called, uses up almost two hours in exposition of scientific advances in space travel and communications, before anything happens, [including] the surprisingly dull prolog... Film ends on a confused note, never really tackling the 'other life' situation and evidently leaving interpretation up to the individual viewer. To many this will smack of indecision or hasty scripting." -- Robert B. Frederick, Variety

"This is certainly one of the most boring and meaningless films I have ever seen in my life. I love science and science fiction both. They are in fact 2 of my main interests in life. This movie still bored me beyond description! The accolades being heaped upon this hunk of garbage is hilarious. The most amusing tendency among the fans of this movie is ridiculing those who think it is boring and meaningless as stupid, ignorant or both. I am a professional in the computer design and engineering business. I am not stupid. And guess what? This movie is still boring and meaningless... It's a collection of very long, very boring scenes that never seem to end... For those who will attempt to dismiss my comment along with the other people they have dismissed let me be perfectly clear. I understood everything in the film. It is simply a terrible film. This pseudo-intellectual drivel is a director who thinks he's quite brilliant in his high school level presentation and vision of the journey of man. Of course he is very wrong indeed!... It's disjointed. It lacks cohesiveness. It adds elements of science fiction, horror, fantasy, and pre-teen created entertainment. It also fails to deliver in any of these categories. Stop attacking those who do not like this film. They aren't nearly as stupid as is implied here... There is nothing brilliant about meaningless film that must be "interpreted" by the few viewers who claim they have the answer. Thats just incompetent lazy film making." - tom_jones, IMDB

"Chinatown"

"The most acclaimed private-eye saga since 'The Big Sleep' has the torpor of a wake... Evans and Polankski are masters of Hollywood 'dramatic organization.' They ram home what they see as major points... 'Chinatown' brings to question not only their lack of subtlety, but their hypocrisy... Polanski never favors compassion over carnage. He has none of Towne's emotional stakes in the film... Polanski smothers Towne's script. He never lets in any air... Polanski revels in artifice. Every shot in 'Chinatown' locks into a larger puzzle, and each character's smirk hides a secret." - Michael Sragow, New York Magazine

"Got two hours of your life to waste? Want to wonder watch the same actor who scared you in the Shining bore you to death? Want to wish you had not already cleaned out the cat's litter? I have the film for you. Two hours of the most excruciating boredom watching male chauvinistic pigs who think there is nothing wrong in raping, beating or in general any other form of abusing women, sprinkle in some under-age sex with your own daughter (how ironic that three years later the film's director will be charged with such an offence – was he planning his own future? Oh, sorry I forget 15 is too old for him) and add a cherry on top for being absolutely pointless and you have Chinatown. If anyone can tell me what Chinatown has to do with the film's plot I will give you the cherry myself. And before you all start jumping on me I do understand the 'rape' refers to the water supply controversies of the early 1910's. However, please, seriously, do not tell me that you enjoyed this film. I am only saying what everyone else is too scared to say - it really is not that good a film." - b-jhoree, IMDB

"Die Hard"

"On a technical level, there's a lot to be said for 'Die Hard.' It's when we get to some of the unnecessary adornments of the script that the movie shoots itself in the foot... the filmmakers introduce a gratuitous and unnecessary additional character: the deputy police chief (Paul Gleason), who doubts that the guy on the other end of the radio is really a New York cop at all. As nearly as I can tell, the deputy chief is in the movie for only one purpose: to be consistently wrong at every step of the way and to provide a phony counterpoint to Willis' progress. The character is so willfully useless, so dumb, so much a product of the Idiot Plot Syndrome, that all by himself he successfully undermines the last half of the movie. Thrillers like this need to be well-oiled machines, with not a single wasted moment. Inappropriate and wrongheaded interruptions reveal the fragile nature of the plot and prevent it from working. Without the deputy chief and all that he represents, "Die Hard" would have been a more than passable thriller. With him, it's a mess... you can't go wrong if all of the characters in your movie are at least as intelligent as most of the characters in your audience." - Roger Ebert, Chicago Sun-Times

This film has almost everything that I despise. I do like the action, explosions, and Alan Rickman since he stars as Severus Snape in the seven Harry Potter flicks. Rickman is excellent at playing the bad guy. Bruce Willis thinks he is so cool; however, but nothing but a fool. So the two stars are for Rickman and the action. The subtraction of eight stars is for the ballooning votes that this movie has been given, the violence, the nudity, the vulgarity, Bruce Willis, the mindless acting by the majority, the length of the film, and finally not giving Rickman more lines. Yes, it's a slight obsession with Rickman as it seems, but I had to think of eight reasons and ran out of ideas. So if you like or love this imbecilic claptrap, you will most likely disagree with me and jump to conclusions while forming stereotypes. I don't blame you. I only wish Hollywood wouldn't contribute to the degenerating of our civilization where people don't care about humans they don't know - jamesolio, IMDB
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34 Comments

  • Morningstar | November 13, 2012 8:00 PMReply

    Dark Knight Rises was pure rubbish; It's hype was fueled by the WB marketing machine, and forced on the masses as a work of high-art, and those who spoke up against it were castrated. The Nolan camp are master manipulators starting with their grass roots efforts (see: Nolan Fans website). Critics scared of getting lambasted gave it high marks, and those who questioned what they saw online were crucified with the same audacity. Truth be told, only those with a very low IQ or sheeple (people who can't think for themselves) could possibly forgive a movie with such a poorly written script, plot holes, and acting.

  • ssm07 | July 19, 2012 10:05 AMReply

    well i my self aint a big fan of the deputy cop from 'die-hard' but the rest of the review sucks

  • Sean | July 17, 2012 1:03 PMReply

    Time changes all things. I hated the Wild Bunch when I saw it at 15. Boring and dull. 5 years later I gave it another go and it easily became my favorite film.

    But something that bothers me about negative reviews, is that I think most of them don't come emotion or anything along those lines. There's critics out there, like Armond White, who just han out negative, college level reviews to popular films. Why? Just because so many love the film, he has to go all hipster and go against the grain.

  • Head Buckaroo | July 17, 2012 12:57 PMReply

    To be fair, most of the IMDB reviews and likely all of the Batman fanboy vitriol is the product of teenagers. And so, who cares?

  • [A] | July 17, 2012 12:22 PMReply

    You need a "VIEW ALL" option!

  • Christopher Bell | July 17, 2012 11:44 AMReply

    This was great.

    Also, I recently discovered that "The Shining" was nominated for a Razzie.

  • Olli | July 18, 2012 8:41 AM

    and right so ;-))

    To me one of the most overrated movies of all time, right next to Kubricks 2001.

  • Scott Mendelson | July 17, 2012 11:38 AMReply

    Roger Ebert is dead-on about Die Hard. We can all choose to ignore that specific portion of the film and/or choose to not make it a deal-breaker, but Ebert was 100% correct about Paul Gleason's character. Even when I first saw the film when I was 10, it annoyed me. I still love Die Hard, but it's one of the reasons I don't consider the original on a higher plane than the sequels.

  • Alan | August 12, 2012 4:19 AM

    Yeah, but the problem with the review is that he goes on with the Gleeson character ... and on and on (for three paragraphs). You know, Roger, Alan Rickman and Bruce Willis were in that film, too. This is something that Siskel picked up on, too. Focusing on Paul ... Gleeson (right?) in a Die Hard review is like spending half a review on 'The Social Network' talking about the work of John Getz: sure, you CAN do that, but why would you WANT to?

  • K Knight | July 17, 2012 12:11 PM

    Couldn't agree more. Gleason's character is laughable.

  • tristan eldritch | July 17, 2012 11:36 AMReply

    You know, I honestly think The Searchers review is spot on. It's overlong, anti-climatic, and even by general standards the humor and melodrama have aged extremely poorly. I haven't seen too many of Ford's movies, but I would rate Liberty Valance and My Darling Clementine as vastly superior to The Searchers - its seems to have become a sacred cow somehow, maybe because that closing shot is so iconic and ubiquitous in movie books.

  • Great Scott! | July 17, 2012 11:17 AMReply

    "i found the storyline confusing and didn't see any of the quotes used in 'You've got Mail'!" <--- Best line.

  • Liz | July 17, 2012 11:13 AMReply

    From the Raging Bull IMDb review:


    "Seriously though, this film is grossly pregnant; there is nothing there"


    Isn't "nothing there" sort of the opposite of "pregnant"?

  • Xian | July 17, 2012 10:32 AMReply

    Devin Faraci goes all Armond White on ‪#TDKR‬ - http://badassdigest.com/2012/07/17/mov … ‪#Cinema‬ ‪#Movies‬ ‪#Nolanverse‬ @DCComics vs. @Marvel

  • JOHN | July 17, 2012 10:26 AMReply

    Your inclusion of random IMDb crits made me laugh out loud for real. Thanks for that.

  • rotch | July 17, 2012 10:19 AMReply

    I would add Ebert's Blue Velvet pan, so infamous it made it to the dvd's extras.

  • AS | July 17, 2012 10:18 AMReply

    I agree with The Searchers. The performances are way over the top, to the point where I don't understand how anyone could possibly overlook this glaring flaw. The film is also shockingly racist.

  • d | July 18, 2012 4:34 PM

    And you just quoted me and said things like, "wow. Very impressive." I actually only said something "like 'great stuff'" once, for the record. And I did counter what you said, by quoting you and pointing out, using sarcasm (which perhaps you found hard to understand), your poor reading comprehension skills, the baselessness of your comment that the racism came "from the filmmakers' perspective," and your silly use of the word "futile" to describe making a point well-understood by most people, excluding yourself obviously. And I'm the buffoon? Anyways, I've had enough of this, thanks. :)

  • AS | July 18, 2012 10:19 AM

    Exactly, you didn't counter anything I said. You just quoted me and said things like "great stuff." Wow, very impressive. Thank god there are more intelligent and articulate people out there like Stephenm, because if it wasn't for him you would have looked like a total buffoon.

  • d | July 18, 2012 12:57 AM

    "So basically you saying that by being so overtly racist, it's actually a commentary on racism?" Yeah, nice reading comprehension! I don't remember saying the movie was "overtly racist" (in fact, I think I said the opposite!), but I'm sure that's what I meant. "This is not just from Wayne's perspective, it's from the filmmakers perspective." Because you say so? Great stuff, AS. "You can sit there and defend it all you want but it's futile effort on your part." Yeah, so futile, not to mention sad, to defend a movie not only widely understood to be (yes) anti-racist but also considered by a wide majority of scholars/critics to be one of the greatest ever made. I think "pointless" would be a better word for it. STEPHENM, your contribution was quite welcome.

  • StephenM | July 17, 2012 5:57 PM

    I probably shouldn't be weighing in on this, but yes, the film is anti-racist. At the same time, the Native American characters in the film are rather paper-thin and stereotyped, and I can understand how modern audiences could be uncomfortable with it. The point of the film, though, is very much the way hatred, prejudice, and revenge can destroy a person's life, and Ethan Edwards is very much an anti-hero who threatens to become a villain. Martin, his half-Indian nephew, is the true hero of the film, coming of age over the course of their search until he can confront Ethan and stand in front of Debbie to guard her against Ethan's vengeance. There is also subtle commentary throughout the film on the way racism has permeated the society--see the point when Martin's girlfriend tells him that Debbie's mother would have wanted Ethan to kill her rather than see her become the slave/wife of a Comanche, shocking Martin and us. There is also the significant scene where Ethan and Martin discover the burned Indian village, strewn with dead bodies of women and children, all done by the US Cavalry. They even find Look, the Indian girl Martin had accidentally "married" and had mocked and resented so much, now dead, and they realize how poorly they had treated her. And you do John Ford a disservice: He was one of the most anti-racist filmmakers in Hollywood history, and he was beloved of the Native American tribes who live near Monument Valley. He gave them consistent work in his movies and they made him an honorary member of their tribe. The main Indian characters in The Searchers are played by white actors, it is true, but all the rest of the Indian extras seen in battle scenes and the like are genuine Native Americans.

  • AS | July 17, 2012 4:21 PM

    That's just sad. So basically you saying that by being so overtly racist, it's actually a commentary on racism? That's laughable. Take a look at every western Wayne made. The Native Americans are always the bad guys and he's always the good guy. And it's not just his character, it's every white character. And it's not just the characters themselves, it's the way Ford depicts the NA. Like I said, they are depicted as savages. This is not just from Wayne's perspective, it's from the filmmakers perspective. Also, Ford didn't even attempt to hire Native American actors to portray the Comanche. He just got a bunch of white guys and put face paint on them (which only adds the overall campy nature of the film). You can sit there and defend it all you want but it's futile effort on your part.

  • d | July 17, 2012 4:05 PM

    I'm not about to expend a lot of energy, because plenty of writing has already been done on the subject (which you could look up.) The racism in the movie IS pretty blatant, because the movie is ABOUT racism. Do you know why it's regarded as one of the great American films? Well, it's not just because it's a rousing adventure movie, it's because it's among the only westerns to take racism as its primary subject, and by far the most frank and powerful depiction. Ethan Edwards and the movie are not the same thing. He's not a hero. The movie makes clear that Ethan is driven by racism, that he even hates members of his own family if they're mixed-blood (Martin). He spends the entire movie trying to find and conceivably kill his kidnapped niece because in his mind, she's better off dead than living "with a buck." And after all this, the happy ending only comes by way of a change of heart -- he and his racism don't "win." You might also consider the parallels between Ethan and Scar before you make them out to be polar opposites. "To claim this film is not racist is to claim that The Birth of a Nation is not racist either." Are you fucking kidding me?

  • AS | July 17, 2012 1:05 PM

    It's pretty blatant, but okay...

    The Native Americans are presented as one dimensional savages whose very existence threatens any safety or peace the white people could ever hope to enjoy. They are viewed as primitives who systematically kidnap poor, innocent white women and turn them into Comanches. Take a look at the scene halfway through the film when Ethan comes across the white women who managed to survive indian "captivity." The women are depicted as frightened, wide-eyed and insane. The bystander says "It's hard to believe they're white," to which Mr. Wanye replies "They aint white, not any more. They're Comanch." This suggests, of course, that the Comanches are not even human. They're depicted as being something lower, more primal and savage. The REAL humans, as we know, are the white people! To claim this film is not racist is to claim that The Birth of a Nation is not racist either. But go ahead, make your case.

  • d | July 17, 2012 12:06 PM

    You called the film "shockingly racist" without articulating why you thought it was. Either make a case for The Searcher's "shocking racism," or... etc, etc.

  • AS | July 17, 2012 11:53 AM

    I called the film "shockingly racist." Then you called ME a moron without articulating why you thought I was. Either make a case defending The Searchers against my claim, or risk rendering your comment irrelevant.

  • d | July 17, 2012 11:28 AM

    Funny, I didn't see where you presented anything that resembled an argument.

  • AS | July 17, 2012 11:21 AM

    Nope, you were just trolling. You didn't present anything that might even resemble a counter-argument.

  • d | July 17, 2012 11:13 AM

    As thoughtful a response as your comment deserved.

  • AS | July 17, 2012 10:52 AM

    Brilliant response. You've clearly shown me...

  • d | July 17, 2012 10:28 AM

    "The film is also shockingly racist." Wow. Moron.

  • Zack | July 17, 2012 10:16 AMReply

    I get what you're trying to do with this, but IMDB users are not "serious critics"; they were made in a factory so YouTube commenters would have someone to feel superior to.

  • daniel | July 17, 2012 12:14 PM

    @Maicol: The critics at Mubi are 1) serious critics who often work for (other) legitimate publications, 2) knowledgeable about film, and so 3) nothing like IMDb critics.

  • maicol | July 17, 2012 12:02 PM

    Now that's what I call wit! Have you guys checked out mubi.com? It's like the film elitist's IMDB. The reviews on there are worth a hoot/look.

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