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You Can't Please Everyone: Negative Reviews Of Some Of The Best Loved Films In Cinema History

Photo of Oliver Lyttelton By Oliver Lyttelton | www.oliverlyttelton.com July 17, 2012 at 10:02AM

As you may have noticed, the review embargo on "The Dark Knight Rises" broke yesterday, and the word, including that from our own Todd Gilchrist, is mostly good. We say mostly, because as with most films, there are objections from a few reviews -- Christy Lemire from the Associated Press, Marshall Fine at Hollywood & Fine, Christopher Tookey at the Daily Mail, Devin Faraci at Bad Ass Digest -- coming in on the negative side of the fence. And as has become increasingly common in the last few years -- particularly with Christopher Nolan's films, Pixar movies, and even "The Avengers" -- the fans are in uproar at the sheer concept that reviewers dare give a negative notice to "The Dark Knight Rises" (regardless of the fact that these fans haven't yet seen the film for themselves).
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Raiders Of The Lost Ark
"Raiders Of The Lost Ark"
"But “Raiders” is a machine-tooled adventure in the pulp-esoterica spirit of Edgar Rice Burroughs; it appears that Lucas and Spielberg think just like the marketing division... But Spielberg’s technique may be too much for the genre: the opening sequence, set in South America, with Indy Jones entering a forbidden temple and fending off traps, snares, poisoned darts, tarantulas, stone doors with metal teeth, and the biggest damn boulder you’ve ever seen, is so thrill-packed you don’t have time to breathe—or to enjoy yourself much, either... you know that Spielberg, having gone sky-high at the start, must have at least seventeen other climaxes to come, and that the movie isn’t going to be an adventure but a competition... there’s no exhilaration in this dumb, motor excitement... Yet, with the manicured wide-screen images and the scale of this production, klunkiness sticks out in a way that it didn’t in the serials, which were usually all of a piece... It’s a shocker when the big-time directors provide a rationale for the marketing division—when they say, as Spielberg does, that “the real movie-lovers are still children.” And there’s no doubt he means that in a congratulatory sense. The whole collapsing industry is being inspired by old Saturday-afternoon serials, and the three biggest American moviemakers are hooked on technological playthings and techniques." Pauline Kael, The New Yorker

I've been avoiding Indiana Jones like the plague until tonight when I decided to see what it's all about. And boy was I in for a treat! I was laughing so hard at every action scene! The music was so laughable, Harrison Ford played worse than Paris Hilton sings and every cliché imaginable was there. The plot is virtually non-existent during the first half of the movie and when the real action finally kicks in, you see Dr. Jones escaping from difficult situations with unbelievable ease, the ridiculous music score serving as another way of applauding his actions. Those were the best bits. Because then you have the totally random ending that turns your laughter into a WTF expression. The characters are paper-thin - not to mention Spielberg's obsession with the Germans (or anyone non-American or non-Jewish) who have to be depicted as either superevil or superstupid. Unintentionally funny, totally predictable and a waste of money and film. How anyone with an average IQ can enjoy this is beyond me. - grybop, IMDB
 

This article is related to: Features, The Dark Knight Rises


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