IFC Center Projectionist Finds His 'Voice'
Nobody is rushing to call it an official response or anything, but at least something resembling signs of life emerged from IFC Center this week in its ongoing drama with the IATSE Local 306 Projectionists Union. A Brooklyn projectionist named Aaron Katz wrote to the Village Voice about his position at the Center, basically brushing off any supposition that anyone is being exploited, misled or underequipped in the theaters' projection booths. "It's not like IFC went and hired random people off the street and paid them pennies on the dollar," Katz wrote. "I am an experienced projectionist." After defining his training and qualifications, Katz added: As far as the story of the botched showing of Dont Look Back goes, I hadn't heard of it prior to reading this article. Assuming it is true, it is not indicative of lax standards. Every single union projectionist has had a terrible show at some point—likely more than one. Shit sometimes goes wrong. Overall, IFC Center standards are much higher than most places in New York City, or any place, for that matter. We actually can do reel-to-reel shows for archival prints, which is something that lots of union art house theaters can't say. Yeah, well, "ire" might not even be the best word for it anymore. My last trip by IFC Center—on a weekend afternoon, no less—turned up exactly three people quietly handing out union leaflets to passers-by on Sixth Avenue. No inflatable rats, no John Sayles protests, no spooking Harvey Weinstein. Sigh. I miss the old days. |