"Only God Forgives" was unveiled Wednesday morning to the most divisive response at the Cannes festival thus far, and even with the smattering of boos and walkouts we’d hazard a guess that Nicolas Winding Refn couldn’t be more delighted by the reception. As empty, soulless, frenziedly art-directed viewing experiences go, "Only God Forgives" is one of the better examples. At the press conference following the screening, the Danish filmmaker expounded on his ultra-violent, hyper-stylized follow-up to "Drive," which features dismemberments, torture, eye gouging, Kristin Scott Thomas as a trashy, bestial, peroxide-wigged mother who calls her son’s female companion a “cum dumpster” and Gosling as a vaguely sketched mean machine operating in a seedy Thai underworld who makes the "Driver" look like a motormouth.
- By Matt Mueller
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- May 22, 2013 12:10 PM
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- 1 Comment
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No more megalomania? Yes. But no more courage, inspiration, art, passion or risk. And they suita
Spoil central. I gotta steer clear of this site more often..
Interesting to see Australian Rod Taylor described as "all-American." Maybe there needs to