'Game of Thrones' 3.2 Review and Recap: 'Dark Wings, Dark Words'

by David Chute
April 8, 2013 3:04 PM
  • |

'Game of Thrones'

Elsewhere,my favorite "Game" character, Gwendoline Christie's towering Brienne of Tarth, still has Jamie Lannister (Nikolaj Coster-Waldau) firmly in tow, trudging toward King’s Landing on what we already know is a misguided mission, which adds to this thread a strain of pure existential pig-headedness that makes Brienne seem even more magnificent -- and her contemptuous flick of the sword at the end of her skirmish with Jamie on the bridge seals the deal. Gwendoline has the off-hand charisma of a born action star.

In all of the road scenes, including a third involving Arya Stark and her companions, we have a sense of trajectories converging. That’s the structural implication of a storyline that has several groups of people on the move at the same time. And it’s an absorbing hike, even though none of these travelers reach their destination over the course of the episode.

Meanwhile, most of the heavy plot lifting the episode is being done back at King's Landing, in the sequences involving Sansa and the Tyrells and the preparations for Joffrey's wedding. Without them, "Dark Wings, Dark Words" would be the show's second episode in a row that was almost entirely expositional.

In these scenes, Diana Rigg's matriarch Lady Olenna Tyrell is introduced, questioning Sansa (Sophie Turner) closely about the Joffrey's suitablity as a husband for her granddaughter Margery (Nathalie Dormer), eliciting the blurted revelation that dear Joff is anything but. The women in this scene, along with Shae (Sibel Kekili), enconsed as Sansa's maid for safe-keeping by Peter Dinklage's besotted Tyrion, are most of the visible political scheming in this episode, though to what end has yet to emerge. 

As with everything else in source-novelist George R.R. Martin’s bob-and-weave storytelling, however, as faithfully adopted and artfully enhanced by Benioff and Weiss, voyages rarely follow a direct path or end up quite where we expect.

You might also like:


  • Sabastian | April 10, 2013 12:15 AMReply

    It looks like the Stark children have less and less control of their destinies every time we meet them. I saw “Dark Wings, Dark Words” after I finished my shift at DISH today and Arya’s introduction to The Brotherhood leads me think she might be taken captive again on the next episode. I started volunteering as a fireman recently so normally I would miss it, but I don’t need to now that I have the DISH Anywhere app on my iPhone. It lets me watch live TV regardless of where I find myself so I have not missed a show or a fire yet.

  • Jamie | April 8, 2013 3:22 PMReply

    so far this season seems to be wandering around in search of a story. Hope things start to gel better.

Free Indie Movies and Documentaries    

Email Updates

Most "Liked"

  • LISTEN: On KCRW's The Treatment, Mindy ...
  • Brad Pitt to Star in David Michôd's ...
  • Arthouse Audit: 'Only Lovers Left Alive' ...
  • Fox's Jim Gianopulos to Deliver USC ...
  • Pulitzer Prize Winners Unveiled
  • The Highs and Lows of the Meaningless ...
  • Watch: Highlights from Seth Rogen's ...
  • Box Office Top Ten: 'Captain America' ...
  • Career Watch: As 'Mad Men' Enters Its ...
  • WATCH: Guillermo Arriaga's Anthology ...