'I just wanted to hear them sing'

Neville is a strong but sensitive interviewer/editor: one particular moment, when he cuts back to one of the women for a split-second facial reaction that speaks volumes, comes to mind. But "20 Feet from Stardom" is most compelling when Neville breaks away from the "story" of the documentary and focuses on the women singing. The results are stunning.

"The recording stuff came out of pure frustration," Neville told me.  "I just wanted to hear them sing, because they're so incredible. And it was so difficult to hear them sing, or to find footage of them. They're in the background--by definition, they're hidden."

Neville brings Love, Clayton, Fischer and the younger Judith Hill, who was prepping to perform on the "Bad" tour with Michael Jackson-- into the foreground, and then gets out of the way. The cinematography of these scenes is gorgeous: filmed on Red digital cameras, they intimately evoke the soft edges of nostalgia.

"It was revelatory to me," Neville says of the first time he recorded Fischer improvising. "Not only was I seeing what an incredible artist she is, but I was able to understand who she is as a person through her voice. Watching somebody sing reveals a lot about character.  I just wanted to hear these women sing as much as I could, so I had to create situations for them to sing in."