Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Academy Governors Choose Cheryl Boone Isaacs, the First African-American AMPAS President

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 31, 2013 at 3:35AM

Tuesday night the newly elected board of governors of the Academy of Motion Picture Arts & Sciences voted for a new president to replace outgoing Hawk Koch, who had come to the end of his one-year term. The race was between two members of the Academy Public Relations Branch, Lionsgate motion picture chief Rob Friedman, who has a demanding full-time job, and Cheryl Boone Isaacs, a former Paramount and Lionsgate marketing and publicity executive whose firm CBI Enterprises, Inc. consults on such film campaigns as “The Call,” “The Artist,” “The King’s Speech,” “Precious: Based on the Novel ‘Push’ by Sapphire,” “Spider-Man 2” and “Tupac: Resurrection.”
2
Cheryl Boone-Isaacs
Cheryl Boone-Isaacs

Tuesday night the newly elected board of governors of the Academy of Motion Picture Arts & Sciences voted for a new president to replace outgoing Hawk Koch, who had come to the end of his one-year term. The race was between two members of the Academy Public Relations Branch, Lionsgate motion picture chief Rob Friedman, who has a demanding full-time job, and Cheryl Boone Isaacs, a former Paramount and Lionsgate marketing and publicity executive whose firm CBI Enterprises, Inc. consults on such film campaigns as “The Call,” “The Artist,” “The King’s Speech,” “Precious: Based on the Novel ‘Push’ by Sapphire,” “Spider-Man 2” and “Tupac: Resurrection.”

Boone Isaacs, who is beginning her 21st year as a governor representing the Public Relations Branch, served as Academy first vice president during the past year. She also produced the 2012 Governors Awards. 

In addition, Disney/Pixar animation czar John Lasseter was elected first vice president, after having served one-year terms as treasurer (2011-2012) and secretary (2009-2010). Jeffrey Kurland and Leonard Engelman were elected to vice president posts; Dick Cook was elected treasurer; and Phil Robinson was elected secretary. Robinson served as vice president during the past year, his fourth consecutive term in that office (2009-2013). These will be the first officer stints for Engelman, Kurland and Cook. 

Boone Isaacs' brother Ashley Boone was also a prominent studio executive. Fay Kanin is the only other woman to serve as AMPAS president. Boone Isaacs is the first African American to hold the post in the Academy's 86-year history.

Academy board members may serve up to three consecutive three-year terms, while officers serve one-year terms, with a maximum of four consecutive years in any one office.

This article is related to: Paramount, Academy of Motion Pictures Arts and Sciences


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.