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Thompson on Hollywood

Five Things I Learned from 'Dawn of the Planet of the Apes' (REVIEW AND ROUNDUP, VIDEO)

Going into last week's Fox screening of 3D sequel "Dawn of the Planet of the Apes," I was both eagerly anticipating and slightly skeptical.
  • By Anne Thompson
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  • July 2, 2014 4:57 PM
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WATCH: Visually Stunning New Trailer for 'Dawn of the Planet of the Apes' Unleashed

A new, plot-heavy trailer has landed for the hotly anticipated summer tentpole "Dawn of the Planet of the Apes," sequel to 2011's "Rise of the Planet of the Apes."
  • By Ryan Lattanzio
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  • May 8, 2014 12:05 PM
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  • 0 Comments

Motion Capture Maestro Andy Serkis Talks 'Dawn of the Planet of the Apes'

Andy Serkis came to Stuttgart on Wednesday and Europe's premier computer graphics conference, FMX, finally got a taste of star power after nearly 20 years. It probably could've done without the heavy security, though, as Fox took every precaution to prevent online piracy. The performance capture guru showed the same footage from "Dawn of the Planet of the Apes" that was glimpsed at WonderCon last week, and discussed the continuing evolution of his digital craft.
  • By Bill Desowitz
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  • April 24, 2014 2:05 PM
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  • 2 Comments

'Dawn of the Planet of the Apes' EXCLUSIVE SECRETS REVEALED: Matt Reeves Gives Comic-Con Preview

I get on the phone with Reeves a few days ahead of his ritual trek to San Diego for Fox's Saturday Hall H panel at Comic-Con. Although Reeves has been shooting "Dawn of the Planet of the Apes" in Louisiana and Vancouver since March, with only a few more weeks to go, he won't have much to show, he says, as the Weta effects are still a long way from being complete. In fact Fox pushed the release date back to July 2014 so that all his crazy ambitious visual ideas could be fully realized with on-location motion capture shot in 3-D.
  • By Anne Thompson
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  • July 16, 2013 7:38 PM
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  • 3 Comments

Studios Go Gigantor at Comic-Con: 'Pacific Rim,' 'Godzilla,' 'Man of Steel,' 'The Hobbit'

The studios have boxed themselves into a corner. Because you can't just keep piling money into VFX to lure audiences to theaters, as their current (failing) tentpole strategy attests. And digital 3-D isn't exactly an event anymore--both "The Amazing Spider-Man" and "Ice Age 4" saw lackluster 3-D performance.
  • By Anne Thompson
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  • July 17, 2012 4:29 PM
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  • 0 Comments

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