With their track record and relationships—at FilmDistrict alone they delivered decent numbers for horror flick Insidious ($54 million domestic), producer Guillermo del Toro’s Don’t Be Afraid of the Dark ($24 million) and Nicolas Winding Refn’s Drive ($34 million)—they should be able to raise money now. “We’re really proud of the success of our initial four films and working with these filmmakers,” Berney told me. “They do stack up against any other independent company that’s ever opened.” (He’s referring to the $116 million gross out of the gate through October 30 for FilmDistrict’s first four films vs. the same period at Overture, Weinstein Co., Relativity and even Summit (before it scored big with Twilight).
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No more megalomania? Yes. But no more courage, inspiration, art, passion or risk. And they suita
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Interesting to see Australian Rod Taylor described as "all-American." Maybe there needs to