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AFI FEST 2013 Announces Four Iconic Film Selections by Guest Artistic Director Agnes Varda

Photo of Ryan Lattanzio By Ryan Lattanzio | TOH! September 19, 2013 at 2:59PM

The American Film Institute has announced a program of four films selected by Guest Artistic Director Agnes Varda to screen at AFI FEST 2013, including films by Bresson, Fassbinder, Cassavetes and Scorsese.
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Agnes Varda
Agnes Varda

The American Film Institute has announced a program of four films selected by Guest Artistic Director Agnes Varda to screen at AFI FEST 2013.

Legendary French auteur Varda has chosen iconic films that have inspired her throughout her six-decade-long career. An utterly lovely list of international and American classics, the films are Robert Bresson's "Pickpocket" (1959), John Cassavetes' "A Woman Under the Influence" (1974), Rainer Werner Fassbinder's "The Marriage of Maria Braun" (1979) and Martin Scorsese's "After Hours" (1985). Trailers below.

"For AFI FEST, I chose four films that have been important in my life," Varda said. For the subjects, the style that I call cinewriting, the radical choices and specific sensibilities, among some other films, I chose 'The Marriage of Maria Braun,' one pearl of Fassbinder films, 'Pickpocket' by Bresson for its singular way of interpreting the art of stealing... From Scorsese, 'After Hours,' a strange ephemeral nightmare beautifully treated, and from Cassavetes one of my favorite among all: 'A Woman Under the Influence,' a delicate and complex portrait of a woman as well as of the people around her."

In additional, the festival will screen a selection of Varda's own films, including restored versions of "Cleo From 5 to 7" (1962) and "Documenteur" (1981).

AFI FEST 2013 opens in Hollywood with "Saving Mr. Banks" on November 7, and closes with "Inside Llewyn Davis" on November 14.

This article is related to: Agnès Varda, Agnès Varda, AFI Fest, AFI, Festivals, News


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.