Click to Skip Ad
Closing in...
See Andrew Garfield in First Images from Martin Scorsese's 'Silence' See Andrew Garfield in First Images from Martin Scorsese's 'Silence' 6 Things Non-Record-Breaker 'Avengers: Age of Ultron' Reveals about the Current Box Office 6 Things Non-Record-Breaker 'Avengers: Age of Ultron' Reveals about the Current Box Office Box Office: 'Far from the Madding Crowd' Starring Carey Mulligan Leads Specialty Openers Box Office: 'Far from the Madding Crowd' Starring Carey Mulligan Leads Specialty Openers Friday Box Office: 'Avengers: Age of Ultron' Takes No Prisoners,  $84.6 Million vs. Rest of Top Ten's $10.2 Million Friday Box Office: 'Avengers: Age of Ultron' Takes No Prisoners, $84.6 Million vs. Rest of Top Ten's $10.2 Million Guillermo del Toro Feted at San Francisco Film Fest: "I saw my first corpse at age 4" (Video) Guillermo del Toro Feted at San Francisco Film Fest: "I saw my first corpse at age 4" (Video) Oscar Predictions 2016 Oscar Predictions 2016 It Looks Like David Lynch's 'Mulholland Drive' Is Indeed Coming to Criterion It Looks Like David Lynch's 'Mulholland Drive' Is Indeed Coming to Criterion Cary Fukunaga Teams with 'Brokeback Mountain' Writers for A24's First Original Film Cary Fukunaga Teams with 'Brokeback Mountain' Writers for A24's First Original Film Amy Berg's Sex Abuse Doc 'An Open Secret' Finally Lands Distribution, Goes to Cannes Amy Berg's Sex Abuse Doc 'An Open Secret' Finally Lands Distribution, Goes to Cannes Whither Sony? No Place to Go But Up Whither Sony? No Place to Go But Up Hollywood, Please Don't Remake Nicolas Roeg's 'Don't Look Now' Hollywood, Please Don't Remake Nicolas Roeg's 'Don't Look Now' Riviera Maya Film Fest Dares to Bring Edgy Fare to Cinema-Starved Mexican Audiences Riviera Maya Film Fest Dares to Bring Edgy Fare to Cinema-Starved Mexican Audiences Cannes First Look: Hou Hsiao-Hsien's Long-Awaited Martial Arts Epic 'The Assassin' Cannes First Look: Hou Hsiao-Hsien's Long-Awaited Martial Arts Epic 'The Assassin' '54: The Director's Cut' Comes to Digital HD in All Its Hedonistic Glory '54: The Director's Cut' Comes to Digital HD in All Its Hedonistic Glory Mark Hamill Shares Vintage Photos from the 'Star Wars' Set Mark Hamill Shares Vintage Photos from the 'Star Wars' Set Exclusive: Louisiana Film Fest Unveils 2015 Lineup Exclusive: Louisiana Film Fest Unveils 2015 Lineup Hear a Rare Recording of One of Stanley Kubrick's Most Revealing Interviews Hear a Rare Recording of One of Stanley Kubrick's Most Revealing Interviews 'Force Awakens' Star Domhnall Gleeson Joins Blacklisted Tom Cruise Project 'Force Awakens' Star Domhnall Gleeson Joins Blacklisted Tom Cruise Project Tribeca: 8 Highlights from the 'Goodfellas' 25th Anniversary Reunion Tribeca: 8 Highlights from the 'Goodfellas' 25th Anniversary Reunion Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW) Watch: Julia Louis-Dreyfus, Tina Fey, Patricia Arquette and Amy Schumer Hilariously Slam Hollywood Sexism (NSFW)

Anatomy of a Scene: Talking the 'Her' Office with Oscar-Nominated Production Designer K.K. Barrett

Photo of Bill Desowitz By Bill Desowitz | Thompson on Hollywood January 31, 2014 at 2:05PM

Spike Jonze's beautiful and beguiling "Her," the dark horse in the best picture Oscar race, offers a warm and inviting fusion of LA/Shanghai, with its intoxicating use of red. And the opening scene in the office -- a high rise on Hope near Bunker Hill -- wonderfully sets up the delicate mood and world inhabited by the forlorn Joaquin Phoenix. Oscar-nominated production designer K.K. Barrett discusses his artistic choices and the impact.
0
Her

Spike Jonze's beautiful and beguiling "Her," the dark horse in the best picture Oscar race, offers a warm and inviting fusion of LA/Shanghai, with its intoxicating use of red. And the opening scene in the office -- a high rise on Hope near Bunker Hill -- wonderfully sets up the delicate mood and world inhabited by Joaquin Phoenix's forlorn letter writer. Oscar-nominated production designer K.K. Barrett discusses his artistic choices and the impact.

Her

"I think the best idea is to introduce something familiar when you're introducing an unfamiliar twist," Barrett suggests. "So Spike's description to me was that it was one of these creative workplaces that are all the interior architectural rage now where people don't feel like they're chained to a desk. And he wanted it to feel open like everybody enjoyed coming to work and it was an atmosphere where you could be spontaneously creative in. And so we still have a computer monitor, a desk, the written word."

Indeed, Barrett was spontaneously creative as well, seizing on the rental the moment he discovered it, even though it was a bit pricey for their budget. It offered good views out of windows, had great light, and was horizontally expansive allowing space to breathe above you. It was just off-kilter enough with its angled ceiling and light and penthouse views. Phoenix already lived in a high-rise and so they put him even higher. And they couldn't put him in the dark because they were saving that for a different mood, which turned out to be the sex scenes.

Barrett also made use of an old idea -- color transport panels -- which made the office more breezy. And he found inspiration from that alarming and funny moment in "Mr. Hulot's Holiday" when Jacques Tati's alter-ego peers down a maze of proto-cubicles. 

This article is related to: Her, Spike Jonze, production design, Immersed In Movies, Oscars, Thompson on Hollywood, Interviews , Awards, Awards Season Roundup


E-Mail Updates