By Tom Brueggemann | Thompson on Hollywood June 10, 2012 at 1:44PM
"Paul Williams: Still Alive" (Abramorama) - Metacritic score: 70; Festivals include: Toronto 11, Cleveland 12, Florida 12, Seattle 12
$7,545 in 1 theater; PSA: $7,545
Playing at NY's Angelika with little advertising but aided by good reviews, this had a decent gross at a time when many documentaries open with lower results.
What it means: It seems that docs about performers and other creative people can prove a real draw theatrically, often more than others. This opening will create interest for the film in other cities (it opens in LA on 6/22), and guarantee future attention and exposure for the film.
"Moonrise Kingdom" (Focus) - Week 3
$1,579,000 in 90 theaters (+72); PSA: $16,448,000; Cumulative: $3,750,000
A big increase in theaters this week led to a strong PSA overall, but not as impressivel as its initial record-breaking openings. It is slightly ahead of what "Best Exotic" did when it went to double the number of theaters (in its second week). Keeping in mind that PSA decreases normally with more theaters (the top 90 for "Exotic" would have been much more than $15,000), this suggests a limit to how wide this acclaimed Wes Anderson film will play, Among other rough comparisons, this is performing ahead of "The Tree of Life" and "Tinker, Tailor, Soldier, Spy" but below "Brokeback Mountain," "Midnight in Paris" and "The Descendants," all of which "Moonrise" outdid in its opening weekend (two of these cases were boosted as late-year releases with awards attention). Making it into the top 10 with only 90 theaters is a major achievement.
What it means: By any standard other than the one set by it NY/LA figures (which were timed perfectly to take advantage of the double whammy of an avalanche of Cannes PR and a holiday weekend), these are terrific grosses for what is not a conventional mass-audience film. Focus is facing a crowded market going into a wider break ahead (adding theaters over the next few weeks), but this performance justifies inclusion wherever Focus wants to play it.
"The Best Exotic Marigold Hotel" (Fox Searchlight) - Week 6
$3,235,000 in 1,298 theaters (+4); PSA: $2,492 ; Cumulative: $31,009,000
Looking like it has reached its maximum market depth (quite wide for a specialized film), "Exotic" dropped a modest 28% as it continues to play exceptionally well.
What it means: This should ultimately outgross "The Artist" among other recent Oscar winners as it heads toward around $50 million. And it will due so without the push from awards hooplah. Seachlight was smart to skip that course--and save a ton of money-- with this movie which earned mixed reviews.
"Intouchables" (Weinstein) - Week 3
$385,000 in 77 theaters (+27); PSA: $5,000; Cumulative: $1,014,000
Expanding steadily but somewhat more slowly than a typical Weinstein film, the results continue on the same course. This is a decent gross for a subtitled film, particularly with the consensus mediocre reviews and no familiar names. The advertising continues to be significant, and the grosses also indicate positive word of mouth, which should justify further expansion and a significantly higher ultimate gross.
What it means: Still, at this point, as seemed likely with its initial grosses, this massive international hit does not look like it will break out to a wide domestic audience, as it has in numerous countries (including English-speaking ones) around the world. The Weinsteins are building brand awareness for thier upcoming English-language remake.
"Bernie" (Millenium) - Week 7
$822,000 in 332 theaters (+30); PSA: $2,476 ; Cumulative: $4,842,000
Only down slightly from last week, this Richard Linklater murder comedy stays strong while still not having pushed out that far beyond key theaters in major markets. This one looks like it will be around a lot longer, despite already having played for nearly two months.
What it means: This is a breakout film for Millennium, which often sells its productions to others as well as distributing themselves. This could encourage them to do more in future.
"A Cat in Paris" (GKids) - Week 2
$15,700 in 7 theaters (+1); PSA: $2,243 ; Cumulative: $66,000
The PSA took a steep drop this weekend (more than 60%) despite only adding one theater, which doesn't bode well for much wider expansion.
What it means: This would likely have grossed much better had it played while it was an Oscar nominee (for best animated feature), although its surprise nomination made it tough at the time to get a last-minute release. At this point, that achievement seems to have little value.
"Hysteria" (Sony Pictures Classics) - Week 4
$162,000 in 84 theaters (+19); PSA: $1,923 ; Cumulative: $702,000
The PSA fell a modest amount despite adding a third more theaters, which is a mildly positive sign for this period comedy. Considering that this opened at a level below this week's "Lola Versus," this shows both real support from SPC as well as a degree of decent popular response better than initially indicated.
What it means: Over the next few weeks this should pass the $1-million mark, and establish a degree of awareness that will enhance its future non-theatrical appeal.
"Where Do We Go Now" (Sony Pictures Classics) - Week 5
$39,000 in 31 theaters (-6 ); PSA: $1,270 ; Cumulative: $322,000
This Lebanese festival favorite is already seeing a falling theater count, indicating it is playing short runs at most theaters and showing at far fewer than several other recent SPC subtitled successes.
What it means: Though as always SPC will get this played as widely as possible, this likely has already taken in a majority of its ultimate gross. That still though will be more than many better reviewed foreign language releases.