By Tom Brueggemann | Thompson on Hollywood September 30, 2012 at 3:34PM
Following two weeks with outstanding new limited openings of anticipated Toronto premieres, this week offered only one new opening -- Film Arcade's "The Other Dream Team" -- with any traction in the market. At least ten other films opening in significant specialized theaters didn't even report grosses, suggesting very little business.
Meanwhile, the wider marketplace has several outstanding films competing for adults ($32 million gross total in the top ten for three acclaimed films with smart-house appeal), plus "Arbitrage," which is still going strong. But the low grosses for most of the new openings were more a factor of their limited draw than their competition. Although several significant films are opening in the next few weeks ("The Paperboy," "The House I Live In," "The Sessions") it seems likely that September's specialized openings could wind up performing better than October's --which is not the usual pattern.
"The Other Dream Team" (Film Arcade) - Metacritic score: 65; Festivals include: Sundance 12, Seattle 12
$22,714 in 2 theaters; PSA (per screen average): $11,357
A documentary about a 1990s Lithuanian basketball team might not seem like prime theatrical fare, but this Sundance competition entry opened to a respectable gross at two NY/LA Landmark theaters. The PSA was about $2,000 above "Searching for Sugar Man," another decent doc that gained traction through word of mouth after a modest opening. This is the first release for Film Arcade, a new company founded by production and acquisition veterans.
What it means: Already set in most major cities, this gross should help the film get more attention.
"Vulgaria" (China Lion) - Metacritic score: 52
$36,000 in 16 theaters; PSA: $2,250
Typical gross for the same month release for this new Hong Kong comedy about triads financing an adult movie.
What it means: Won't go much beyond core Chinese community theaters.
"The Perks of Being a Wallflower" (Lionsgate) - Week 2
$1.137,300 in 102 theaters (+98); PSA: $11,150; Cumulative: $1,462,000
A successful entry into new markets while expanding in NY/LA after the initial big limited grosses last weekend. Still drawing heavily female, though a little older than initially, it likely competed for the same audience as Universal's debuting "Pitch Perfect" (which opened in over 300 theaters, also with strong female appeal).
What it means: All signs indicate that this Summit Entertainment production should be able to go much deeper in the market to significant success.
"Diane Vreeland - The Eye Has to Travel" (IDP) - Week 2
$95,200 in 14 theaters (+11); PSA: $6,800; Cumulative: $198,000
Adding several cities quickly after its strong NY/LA openings, these grosses are about on par for similar docs about well-known creative personalities.
What it means: This should continue to expand into further markets and reach decent grosses. A similar initial performer, "The Queen of Versailles," has grossed over $2 million, a bit more than this likely will, but still a reasonable benchmark.
"Brooklyn Boys Beat the Best" (Oscilloscope) - Week 2; also available on Video on Demand
$3,954 in 3 theaters (+2); PSA: $1,318; Cumulative: $8,418
Little response theatrically for this musician on the road comedy.
What it means: VOD will be its main venue.
"How to Survive a Plague" (IFC) - Week 2; also available on Video on Demand
$17,600 in 7 theaters (+3); PSA: $2,200 $; Cumulative: $58,000
Adding VOD this week as well as some added theaters, this fell quickly from its OK PSA last weekend.
What it means: Limited future theatrical play.