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Check Out New IPad Magazine 'Backstory': Long, Gorgeous and Deep

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood August 7, 2012 at 3:35PM

You've got to applaud the chutzpah of ex-Creative Screenwriting senior editor Jeff Goldsmith, who has plunked his life savings down on bimonthly iPad publishing experiment: "Backstory." The gorgeously mounted magazine champions scriptwriters by telling their behind-the-scenes stories. Airily designed for the iPad, which doesn't need to cram columns of print into a small space, "Backstory" is easy to read via free iPad app. The first double issue is still available for free, and starting this month with new issue Number Two, the newstand sale is $4.99. A year's subscription is $24.99. "It feels like an eBook on crack," says Goldsmith.
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Backstory Sideways

You've got to applaud the chutzpah of ex-Creative Screenwriting senior editor Jeff Goldsmith, who has plunked his life savings down on bimonthly iPad publishing experiment: "Backstory." The gorgeously mounted magazine champions scriptwriters by telling their behind-the-scenes stories. Airily designed for the iPad, which doesn't need to cram columns of print into a small space, "Backstory" is easy to read via free iPad app. The first double issue is still available for free, and starting this month with new issue Number Two, the newstand sale is $4.99. A year's subscription is $24.99. "It feels like an eBook on crack," says Goldsmith.

"Backstory" is worth checking out for anyone who cares about screenwriting. Goldsmith, who put in eight years at Creative Screenwriting before it went belly-up, is taking advantage of all the relationships he's built over the years, from Quentin Tarantino to Edward Burns and Richard Kelly, who gave him a script for the first issue of "Backstory." He revealed for the first time his shelved script "Bessie," which he wrote after "Donnie Darko" initially failed at Sundance, criticized for its reliance on VFX. "Darko" went on to be a cult hit. Now Kelly's encouraged enough, says Goldsmith, "to do a rewrite and hopes to make it into a movie."

The second issue features a script that few have ever read, "Vertical," Rex Pickett's sequel to Alexander Payne's 2004 comedy hit "Sideways." When Searchlight and Payne opted not to do a sequel, however, Pickett turned it into a novel. In this semi-autobiographical tale, after Miles's mother has a stroke, he needs to take her to his sisters in Wisconsin. He goes on a road trip with his mom in a wheelchair, and needless to say, trouble ensues. Pickett also turned "Sideways" into a stage play, which is running in Santa Monica, and was published in the first issue of "Backstory."

The studios continue to deliver venues and talent for Goldsmith's writer and director Q & As, especially during Oscar season, which he podcasts on iTunes. Now he's hiring his fave Creative Screenwriting writers to deliver pieces outside the box of the short bursts they tend to do for other outlets. The first "Backstory" offers interviews with "Prometheus" screenwriter Jon Spaihts and "MIB3" director Barry Sonnenfeld, a Sundance short ("The Arm"), and an intro to F. Scott Fitzgerald's must-read Pat Hobby stories. In the second issue, Variety critic Peter Debruge digs into the phenomenon that is "Beasts of the Southern Wild." Craig Zobel talks "Compliance," Tracy Letts takes his bloody "Killer Joe" from stage to screen, and manager Gavin Palone digs into "Rewrite Hell."

Goldsmith was counting on the loyal fans of his iTunes Q & A Podcast to rally behind him. Well, it took me a while to figure out how to load onto my iPad the double issue's big fat 500 megabyte file, packed with video, original art, four screenplays and a stage play (bigger than an average issue of Wired). I had to make room (it helps to archive issues after you read them). And some folks don't even own iPads. So Goldsmith is laboring to deliver a protected computer version. His mission is to protect the content so it's not spreadable or printable.

This article is related to: Media, Books, Stuck In Love, Richard Kelly, New Media & Technology, Apple


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.