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TIFF: Barney's Version Early Reviews

Thompson on Hollywood By Cameron Carlson | Thompson on Hollywood September 12, 2010 at 2:03AM

Canadian producer Robert Lantos was smart to world premiere the long-gestating Barney's Version at the Venice Film Festival instead of home-town Toronto; the book sold over over 700,000 copies in Italy, and won Venice's Golden Lion Cub award (voted by high school students). Lantos even moved the Paris section of the book to Italy.
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Thompson on Hollywood

Canadian producer Robert Lantos was smart to world premiere the long-gestating Barney's Version at the Venice Film Festival instead of home-town Toronto; the book sold over over 700,000 copies in Italy, and won Venice's Golden Lion Cub award (voted by high school students). Lantos even moved the Paris section of the book to Italy.

Several early reviews for Barney's Version are in and they're largely positive. Review links are below.

Thompson on Hollywood

The movie is based on Canadian author Mordecai Richler's literary opus and stars Paul Giamatti as Barney Panofsky, a rumpled low-level TV producer who burns through three different marriages to Rosamund Pike, Minnie Driver and Rachelle Lefevre, who all attended Sony Pictures Classics' packed annual dinner Saturday night. (The company has ten films at TIFF.) Richard J. Lewis directed the movie, which also stars Dustin Hoffman as Barney's pragmatic, elderly father. SPC acquired Barney's Version just before the fest; they plan to give it a one-week Oscar qualifying run before opening wider in January.Barney's road to the screen was ten years long. At the beginning, Lantos met Richler over cigars and booze, but the meetings led to little as the lively novelist's first script was overwrought. Michael Koneyves penned the final draft. Hoffman swore he wouldn't appear in the film: he told Lantos, "I want to be really clear. I’m not going to make this movie." Canadian weekly Maclean's reports that Hoffman wanted to play Barney himself. Lantos had to tell the septuagenarian that Barney is supposed to be in his thirties.

THR writes:

"The impeccably cast confessional, with a pitch-perfect Paul Giamatti leading the way, nimbly traverses the four decades in its lead character's eventful life with considerable exuberance, visual flair and, ultimately, grace."

Screen Daily agrees:

"If it finally wins us round, it’s also thanks to a nuanced performance by Paul Giamatti, who keeps us teetering between sympathy and repulsion for Barney the Montreal Jewish mensch, marital philanderer, foul-mouthed social liability, hard drinker, self-hater, low-grade TV producer and possible murderer, through four decades of his messily authentic life. Dustin Hoffman also puts in one of his tastiest performances in years as Barney’s peppy, irreverent policeman father."

Variety praises Giamatti, but not the film:

"The dizzying comic energy and intellectual vigor of Mordecai Richler's 1997 satire have largely been drained from director Richard J. Lewis' agreeable but inevitably lesser version of "Barney's Version." Absent the novel's wildly entertaining digressions and chronological acrobatics, the strange, decades-spanning tale of Barney Panofsky -- thrice-married Montreal Jew, hack TV producer and suspected killer -- emerges onscreen as a middle-tier marriage drama distinguished by an excellent Paul Giamatti in a familiar curmudgeon role. Acquired by Sony Classics before its Venice and Toronto bows, the Canadian-Italian production faces an uphill battle connecting with smart, literate audiences."

This article is related to: Festivals, Genres, Studios, Reviews, Drama, Books, Sony/Screen Gems/Sony Pictures Classics


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.