Click to Skip Ad
Closing in...
Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Of Time & Life: How 'Mad Men' Remade Television Of Time & Life: How 'Mad Men' Remade Television Nikki Finke Returns Nikki Finke Returns Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Festival Is Dominated by Two Hollywood Masters Cannes Festival Is Dominated by Two Hollywood Masters Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Weinstein Co. Offers Strong Slate at Cannes Weinstein Co. Offers Strong Slate at Cannes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes The Top 20 Episodes of 'Mad Men' The Top 20 Episodes of 'Mad Men' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

'Being John Malkovich' from Criterion: The Actor, The Geek, His Wife, and Her Lover

Photo of Matt Brennan By Matt Brennan | Thompson on Hollywood! May 14, 2012 at 12:53PM

Puppetry is control. So are acting, filing, and pet care. Each in its own way signals an attempt to make sense of the chaos that is lived experience, to grab hold of it and make it do what you want. And each, in "Being John Malkovich," director Spike Jonze's and screenwriter Charlie Kaufman's exhilarating mind-meld, fails spectacularly.
0
John Cusack, Catherine Keener, and Cameron Diaz in "Being John Malkovich"
John Cusack, Catherine Keener, and Cameron Diaz in "Being John Malkovich"

Puppetry is control. So are acting, filing, and pet care. Each in its own way signals an attempt to make sense of the chaos that is lived experience, to grab hold of it and make it do what you want. And each, in "Being John Malkovich," director Spike Jonze's and screenwriter Charlie Kaufman's exhilarating mind-meld, fails spectacularly.  

Out today on Blu-ray from the Criterion Collection, with all the usual sundry goodies, "Malkovich" manages, in all its strangeness, to be both a comedy of sex and identity on the Shakespearean model and a faintly haunting tale of desperation. A randy secretary with bad hearing — "I'm not banging her if that's what you're thinking," her boss says, a propos of nothing — bumps up against the score's foreboding downward scales and an increasing sense that things are going to end badly. It takes a certain kind of demented genius to make film harmony from this sort of discord, and both Jonze and Kaufman fit the bill admirably.

Craig and Lotte Schwartz (John Cusack and Cameron Diaz) are suffering through a blandly unhappy marriage — there are creepy puppets; there's a chimpanzee with daddy issues — when Craig discovers a portal into the body of the actor John Malkovich. Before long, Craig and a co-worker, Maxine (Catherine Keener), are charging people $200 a pop to take Malkovich for a spin, and the actor becomes a refuge for the depressed, the repressed, the obsessed, and the unrequited — particularly Craig and Lotte.

This article is related to: Reviews, DVDs, Directors, Stuck In Love, Headliners


E-Mail Updates






Festivals on TOH