Click to Skip Ad
Closing in...
Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Brownlow Restoration of Abel Gance’s 'Napoleon' Triumphs at Oakland’s Paramount Theater

Thompson on Hollywood By Meredith Brody | Thompson on Hollywood March 26, 2012 at 7:02PM

If at all possible, you should get yourself over to the Paramount Theater in Oakland next weekend (March 31 and April 1) for the final two performances of Kevin Brownlow’s 5½ hour restoration of Abel Gance’s 1927 "Napoleon," accompanied by Carl Davis conducting the Oakland East Bay Symphony in the performance of his score.
4
Napoleon

Not to bury the lead: if at all possible, you should get yourself over to the Paramount Theater in Oakland next weekend (March 31 and April 1) for the final two performances of Kevin Brownlow’s 5½ hour restoration of Abel Gance’s 1927 "Napoleon", accompanied by Carl Davis conducting the Oakland East Bay Symphony in the performance of his score.

Presented by the San Francisco Silent Film Festival, it’s a cinephile’s dream: a rousing, technically innovative, dramatically engaging, beautifully made epic, accompanied by a touching, evocative, equally rousing score played by an excellent, nearly 50-piece orchestra, conducted by the score’s famed composer. And, for the icing on the cake, the film is unspooling in a fabled masterpiece of an Art Deco theater, itself restored and maintained to its period glory. And for once you’re surrounded by an audience of respectful fellow film buffs, attention trained on the screen, nerves alive to every nuance, breaking into spontaneous applause when moved by a scene, a performance, or sentiment. Bonus: no popcorn!

As you can tell, I had an amazing time. Even more amazing considering that I started the screening in a rage. Last July, when the "Napoleon" event was announced at the San Francisco Silent Film Festival, two pals and I ordered three hundred-dollar tickets via iPhone to insure the best possible seats. After a happy half-hour spent ogling the dazzling lobbies, staircases, and lighting fixtures of the Paramount and hanging with Kenneth Turan of the LA Times, Laura Thielen of the Aspen Film Festival, Manohla Dargis of the NY Times, and Alice Maltin (spouse Leonard was elsewhere in the theater), only when we showed our tickets to the usher did we discover that my chums were seated together in the odd-numbered section of row N, and I was alone, way the hell over in the even-numbered section of the same row. Curses, foul Ticketmaster!

This article is related to: Classics, Genres, Guest Blogger, Features, Reviews, Reviews, Festivals, Festivals, San Francisco


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.