By Meredith Brody | Thompson on Hollywood March 26, 2012 at 7:02PM
The Polyvision ending – when two extra screens are revealed at the sides of the original, permitting a triumphant This-Is-Cinerama widescreen vista unknown and seemingly impossible in its day – rouses the audience to applause once again, ending in a heartfelt and lengthy standing ovation.
I was lucky enough to see the four-hour version of Abele Gance’s "Napoleon" at the Shrine Auditorium in Los Angeles in 1981, with Carmine Coppola conducting his own score – its own once-in-a-lifetime event. This time I woke up the day after seeing the five-hour "Napoleon" feeling like seeing it again (or, even better, since it ends in 1797, with the triumphant Italian campaign, I would like to be able to see Gance’s proposed following five films, covering the remaining 24 years of Napoleon’s eventful life). It turns out that TCM had thoughtfully programmed Gance’s intimate but long "La Roue" that very night, in a four-and-a-half hour slot, but I need MORE.
I hope someday to see the next restoration of "Napoleon." (Three once-in-a-lifetime events.) But right now I’m considering seeing it again next weekend. Get it while it’s hot.