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Cannes 65: Seven New Titles Added to Lineup; Master Classes to include Kaufman, Desplat, Lloyd

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood April 30, 2012 at 12:03PM

Cannes has added seven titles to its 2012 selection, including Adam Leon's SXSW winner "Gimme the Loot," "Djeca" and "Renoir" (each in Un Certain Regard), two Midnight screenings, a special screening and Cannes Classics selection closer, Hungary's "Final Cut - Hölgyeim És Uraim"...
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"Gimme the Loot"
"Gimme the Loot"

Cannes has added seven titles to its 2012 selection, including Adam Leon's SXSW winner "Gimme the Loot," "Djeca" and "Renoir" (each in Un Certain Regard), two Midnight screenings, a special screening and Cannes Classics selection closer, Hungary's "Final Cut - Hölgyeim És Uraim" from György Pálfi. The additions are listed below. (What ever became of that Sean Penn rumor about "Gangster Squad"?)

Cannes also announces its three Master Classes, featuring "A Lesson in directing with Philip Kaufman" (the director's "Hemingway & Gellhorn" is playing at the fest out of competition), "A personal history of Film Music" with composer Alexadre Desplat ("Extremely Loud & Incredibly Close") and "A History Lesson by Norman Lloyd." Further details below.

Newly added films:

•In Special Screening :
"Trashed" by Candida Brady (GB)

•In Midnight Screenings :
"The Sapphires" by Wayne Blair (Australia, 1st film)
"Maniac" by Franck Khalfoun (USA/France)

•In Un Certain Regard :
"Djeca" by Aida Begic (Bosnia-Herzegovina)
"Gimme the Loot" by Adam Leon (USA) (1st film)
"Renoir" by Gilles Bourdos (France), at the closing ceremony.

•Finally, it is the “montage film” Final Cut - Hölgyeim És Uraim by György Pálfi (Hungary), produced by Béla Tarr, which will close Cannes Classics on Saturday, May 25th.

Three film Masterclasses at the Festival de Cannes 2012

• "A Lesson in directing by Philip Kaufman"

Director of the celebrated film The Right Stuff and the film adaptation of Milan Kundera’s novel The Unbearable Lightness of Being, Philip Kaufman has been a prominent figure in American cinema since the 1960s. Originally hailing from Chicago, he is now strongly associated with San Francisco where he has lived for the past 50 years. His body of work includes both independent and studio films – “a wide-ranging body of work that draws on his unique elements of style and philosophy”, explains Annette Insdorf, who has just written a book about him. Screenwriter (he co-wrote the original script of Raiders of the Lost Ark with George Lucas) and director, Philip Kaufman will be interviewed by Michel Ciment about his work and his films and about developments in American cinema.
 
Moderator: Michel Ciment

Information: the new Philip Kaufman film (made for HBO), “Hemingway and Gellhorn”, starring Nicole Kidman and Clive Owen, will be included in the Official Out of Competition Selection and will be screened as a world premier.

The screening will take place on Friday, 25 May at the Buñuel Theatre (date and time to be confirmed).

• “A personal history of film music” by Alexandre Desplat

A passionate love of music and cinema has resulted in Alexandre Desplat working with some of the greatest film directors of our age - Jacques Audiard, Stephen Frears, David Fincher, Roman Polanski and Terrence Malick. Following in the tradition of the French greats of film music composing, this multi award-winning artist has also composed the music for several films in this year’s Official Selection.

As a result of his 2006 Masterclass which he gave on his own work, this year Alexandre Desplat will talk about fellow composers’ work: “Great film scores, he explains, should enhance the film, the collective body of work as well as being able to exist independently of the images. It was by listening to the compositions of Delerue, Jarre, Waxman, Rota, Herrmann, Goldsmith, and Takemitsu that I was able to develop my own style. Personal and intimate, the job of the film score composer is to reveal and become part of the rhythm, light and framing of the film like an invisible character – a parallel scenario. The composer creates a subtle relationship between the images and the music resulting in an intangible vibration that makes him the third author of the film”.

The Masterclass will take place on Saturday, 19 May at the Buñuel Theatre.

• "A History Lesson by Norman Lloyd"

Actor, producer and director working in both theatre (he co-founded the Mercury Theater with Orson Welles) and cinema (he is the man who falls from the Statue of Liberty at the end of Alfred Hitchcock’s 1942 film ‘Saboteur’); Norman Lloyd is an extraordinary personality who at the age of 97 has a truly unique take on American cinema history. “I first met Norman Lloyd back in 1976 at Jean Renoir’s home in Los Angeles”, explains the journalist and writer Todd McCarthy. Having already interviewed him twice on stage, I know that his appearance will be keenly anticipated. Cannes festival-goers will be thrilled to have the opportunity to meet this veritable veteran of the silver screen”.

Moderator: Todd McCarthy, journalist at ‘The Hollywood Reporter’

The interview will take place on Thursday, 24 May at the Buñuel Theatre.

This article is related to: Cannes, Festivals, Festivals, News, News, Genres


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.