By Sophia Savage | Thompson on Hollywood April 26, 2012 at 1:23PM
•Cannes celebrates the 30th anniversary of the Dance Cinematheque (Paris). They will present three jewels from its collection: A GREAT DAY IN HARLEM (1994, 60') by Jean Bach and two "jazz shorties": AN ALL COLORED VAUDEVILLE SHOW (4') and JAMMIN THE BLUES (11').
These will be screened from new prints 35mm printed by Daems Laboratory.
•In 2011, Cannes Classics welcomed the ambitious Rossellini Project, the result of a collaboration between Instituto Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale and the Co-Production Office (head of international sales). After presenting The Machine that Kills Bad People (1948, 70’) in 2012 we will present, as a restored print, VIAGGIO IN ITALIA / JOURNEY TO ITALY (1954, 97') by Roberto Rossellini.
Print restored by Cineteca di Bologna with L'Immagine Ritrovata in collaboration with Istituto Luce Cinecittà, CSC-Cineteca Nazionale and The Co-Production Office.
•As is the tradition, the Festival de Cannes will host the World Cinema Foundation, created in Cannes in 2007 by Martin Scorsese and many filmmakers, in order to restore world treasures. In this year’s programme there is an Indian film and an Indonesian film, as rare and little-known as they are beautiful and necessary.
AFTER THE CURFEW by Usmar Ismail, Indonesia (1954, 101')
Restoration carried out by the National Museum of Singapore and the World Cinema Foundation. In association with the Konfiden Foundation and Kineforum Jakarta Arts Council. The film was restored from the original print kept at the Indonesian Cinematheque. Special thanks to the family of Usmar Ismail.
KALPANA of Uday Shankar, India (1948, 155').
Restored by the World Cinema Foundation from a copy of the original negative preserved by the National Film Archive of India. With thanks to Shivendra Singh and family of Uday Shankar. The print was restored by the Cinematheque of Bologna and the Immagine Ritrovata laboratory.
On the occasion of his presence in Cannes, the festival has asked Andrei Konchalovsky to present RUNAWAY TRAIN (1985, 111').
A new print has been struck by Sony Pictures Colorworks / Film distributed by Park Circus. Courtesy of Metro Goldwyn Mayer / Park Circus.
•Every year the CNC French Film Archives (Paris) exhibit a restoration, fruit of their year’s labor. For this edition, they chose CLEO FROM 5 TO 7 (1961, 90’) by Agnès Varda, who will be there in person to present the film.
Digital print, restored by Ciné Tamaris, CNC French Film Archives.
•An Homage to Georges Lautner: in the presence of his numerous friends, the director of the Crooks in Clover, Let’s Not Get Angry, Sink or Wwim, will be honored by the Cannes Film Festival. The film chosen for this evening of celebration is THE GREAT SPY CHASE (1964, 118').
Film restored by Gaumont and the Eclair Group.
Documentaries on the filmmaking, which represent a different kind of cinema and which Cannes Classics regularly showcases, will honor four directors:
WOODY ALLEN: A DOCUMENTARY by Robert Weide (113'), produced for the American Masters series (PBS) by B Plus Productions, Whyaduck Productions, Rat Entertainment Mike's Movies and Insurgent Media, distributed in France by Memento Films Distribution and world sales by Hanway Films.
METHOD TO THE MADNESS OF JERRY LEWIS by Gregg Barson (115'), produced for American television channel Starz Media by Mansfield Avenue Productions.
ME AND ME DAD (66’) by his daughter Katrine Boorman who also produced the film through her production company, Colourframe Ltd.
A film by Emmanuel Barnault, CLAUDE M LE CINEMA (52') produced by Jean Fabrice Barnault of Movie Da Productions for the Ciné + television channel and sold by Catherine Chevassu-C&CO.
The tribute to Claude Miller will continue into the Festival’s Closing Ceremony with the presentation of his latest film in the Official Selection, THERESA DESQUEYROUX.
Finally, on Wednesday, May 23rd at the Plage des Palmes in Cannes, the CNC will host its annual lunch for Cinematheques and Archives around the world.