Click to Skip Ad
Closing in...
Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Top 10 Takeaways: 'Mission: Impossible - Rogue Nation' Opens Strong, But Summer 2015 Has Peaked Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Arthouse Audit: Controversy Reigns as 'End of the Tour' Tops Limited Newbies and Weinstein Dumps Jeunet's Latest Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Friday Box Office: Cruise and 'Mission: Impossible' Do Their Part, But Grosses Lag Fall Calendar Reveals Awards Itinerary and Stealth Contenders Fall Calendar Reveals Awards Itinerary and Stealth Contenders Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Sarajevo Film Fest Lineup Has Auteurs, Cannes Winners and Favorites Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films First Look: Cynthia Nixon Plays—and Narrates—Emily Dickinson in Two Films Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution Netflix and Marvel Shake Up TCAs, Amazon Rescues Bryan Cranston Pilot Netflix and Marvel Shake Up TCAs, Amazon Rescues Bryan Cranston Pilot 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

Cannes: Two Lovers Rocks the Palais

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood May 19, 2008 at 4:37AM

It is not the slightest bit unusual for a Cannes gala premiere to get a standing ovation, and Two Lovers did--with the glowing Gwenyth Paltrow and Vinessa Shaw and James Gray on hand accepting kudos--if anything, when a movie doesn't get applause it's an issue. But Two Lovers played well not only for the black tie crowd at the Lumiere but for the U.S. buyers who haven't been rocked by anything so far and have been looking bedraggled (by constant rain) and gloomy.
0

TwoloversIt is not the slightest bit unusual for a Cannes gala premiere to get a standing ovation, and Two Lovers did--with the glowing Gwenyth Paltrow and Vinessa Shaw and James Gray on hand accepting kudos--if anything, when a movie doesn't get applause it's an issue. But Two Lovers played well not only for the black tie crowd at the Lumiere but for the U.S. buyers who haven't been rocked by anything so far and have been looking bedraggled (by constant rain) and gloomy.

Daniel Battsek of Miramax, Peter Rice of Fox Searchlight, Eamonn Bowles of Magnolia, Michael Barker and Tom Bernard of Sony Pictures Classics, Howard Cohen and Eric D'Arbeloff of Roadside Attractions, and Nick Meyer of Paramount Vantage were all there. The movie is a small relationship drama, not a genre film. It's specific to its New York borough locale. It features a vulnerable, touching performance by Joaquin Phoenix as an unhappy young man who is in love with a good girl beloved by his family (Shaw) and a bad girl (Paltrow) who dangles escape from his limited prospects.

It's a gem. UPDATE: Here's Todd McCarthy's review.

CAA's Micah Green was fielding inquiries last night at the soggy after-party on the Chopard beach. He was prepared to stay up all night, or wait and take his time to see what develops. I will keep you posted.

UPDATE: Word is, the buyers are waiting to see what the reviews are. And the filmmakers are complaining to the festival about the way the press screenings were handled, shuttling the media with white press badges into the tiny Bazin while the rest of the press went to the Debussy. There was huge applause in the Debussy, none in the Bazin (which may be the nature of the room). Also, the film screened half an hour late for press.

This article is related to: Festivals, Cannes


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.