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Ten Meryl Streep Characters Through a Feminist Gaze

Meryl Streep is a cinema nonpareil whose acting talent and aura seemingly can't be explained. Nominated for a record 18 Academy Awards and winner of three, Streep is up for an Oscar on March 2 for her over-the-top portrayal of a grieving, drug-addicted mother in John Wells' movie version of Tracy Letts' Broadway smash "August: Osage County," although she's not pegged for another win. Critic Karina Longworth zeroes in on ten iconic Streep characters in her new book.
  • By Anne Thompson
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  • March 2, 2014 5:11 PM
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Ellen DeGeneres on Why She Almost Didn't Host the Oscars Again, Interest in More Dramatic Roles and More

Oscar host Ellen DeGeneres sat down with Parade Magazine days before the big show to discuss all things movies and Academy Awards, including why her initial reaction to hosting for a second time around was "no," on her decision to not dance on the Kodak stage, on being the inspiration for current Oscar nominee Sandra Bullock's 1999 hit "Miss Congeniality" and more. Interview highlights, below.
  • By Beth Hanna
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  • February 28, 2014 12:03 PM
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Fox Unleashes New Jesus Flick for Christians: 'Son of God'

Jesus did not chase the money changers out of the temple yesterday. But his producers– Mark Burnett and Roma Downey (TV's "The Bible") -- did ring the closing bell at one of New York’s temples of money yesterday afternoon. Needless to say, the NASDAQ closed up.
  • By John Anderson
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  • February 27, 2014 4:20 PM
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ROUNDUP: Read All of TOH!'s Interviews with 2014 Oscar Nominees UPDATED

UPDATE: We continue to add to our vast library of Oscar season interviews. Check out some new additions, below.
  • By TOH!
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  • February 26, 2014 11:19 AM
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Talking the 'Bad Grandpa' Makeup with Oscar-Nominated Stephen Prouty

So will the Oscar for best makeup and hairstyling go to Stephen Prouty for his impressive transformation of Johnny Knoxville's hysterical and horny 86-year-old Irving Zisman in "Jackass Presents: Bad Grandpa"? It's a triumph of old school craft, which required a complete re-imagining to believably pull it off and provide Knoxville with better flexibility for his comedic turn.
  • By Bill Desowitz
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  • February 25, 2014 2:57 PM
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Discover the Wes Anderson Experience

Upon this earth there are a few fortunate souls lucky enough to receive a role in a Wes Anderson film. In a series of interviews done round-table style after its recent Berlinale screening, the “Grand Budapest Hotel” cast members together suggested an on-set atmosphere not so different than the charming nature of the film itself. “It’s the Wes Anderson experience,” intoned Jeff Goldblum, “which is a lovely, delightful, uncommonly beautiful communal art project.”
  • By Tom Christie
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  • February 25, 2014 12:44 PM
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Terence Winter Talks Working with Scorsese on 'Wolf of Wall Street' and 'Boardwalk Empire'

"I even had Jordan come in to CAA to do one of those motivational speeches for me. He never had it on tape, so we filled up the conference room with assistants and agents. He was reluctant, it took a few minutes to warm up and become the guy in the movie. It was one of those amazing things to watch. It was great. A lot of his words are in there."
  • By Anne Thompson
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  • February 24, 2014 8:21 PM
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Talking 'Grandmaster' Costume Design with Oscar-Nominated William Chang

William Chang is certainly "The Grandmaster" of production/costume design and editing in terms of his long-time collaboration with director Wong Kar-wai. And even though he's received his first Oscar nomination for costume designing the lyrical Ip Man martial arts extravaganza, you can't separate his contribution to the overall look and editorial style of the movie.
  • By Bill Desowitz
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  • February 24, 2014 2:04 PM
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Best of the Week: Sorrentino Talks 'Great Beauty,' Why This Year's Oscar Race Could Hold Surprises & More

The top stories of the week from TOH!
  • By TOH!
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  • February 22, 2014 1:52 PM
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Anatomy of a Scene: Revisiting 'Hang Me' from 'Inside Llewyn Davis'

The opening of "Inside Llewyn Davis" is a remarkable achievement: It not only sets the melancholy mood of Greenwich Village in '61 with the eponymous singer (Oscar Isaac) performing "Hang Me, Oh Hang Me" at the iconic Gaslight, but it also sets us up for a confusing circular odyssey. I got the lowdown on the Coen brothers' bizarre tale about folk music with the Oscar nominated cinematographer Bruno Delbonnel and sound mixer Skip Lievsay (also nominated for "Gravity").
  • By Bill Desowitz
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  • February 21, 2014 2:03 PM
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