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Cinema Audio Society Nominations Include 'Captain Phillips,' 'Inside Llewyn Davis,' 'Gravity' and More

Photo of Beth Hanna By Beth Hanna | Thompson on Hollywood January 14, 2014 at 10:28AM

The Cinema Audio Society has revealed its nominations for 2014. Landing nods for live-action Motion Picture are "Captain Phillips," "Gravity," "Iron Man 3," "Inside Llewyn Davis" and "Lone Survivor." Check out the list below, including the animated Motion Picture category.
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The Croods

 MOTION PICTURE—ANIMATED

 

The Croods

Original Dialogue Mixer -- Tighe Sheldon

Re-recording Mixer -- Randy Thom, CAS

Re-recording Mixer -- Gary A. Rizzo, CAS

Scoring Mixer -- Dennis Sands, CAS

Foley Mixer -- Corey Tyler

 

Despicable Me 2

Original Dialogue Mixer -- Charleen Richards

Re-recording Mixer -- Tom Johnson

Re-recording Mixer -- Gary A. Rizzo, CAS

Re-recording Mixer -- Chris Scarabosio

Scoring Mixer -- Alan Meyerson, CAS

Foley Mixer -- Tony Eckert

 

Frozen

Original Dialogue Mixer -- Gabriel Guy

Re-recording Mixer -- David E. Fluhr, CAS

Re-recording Mixer -- Gabriel Guy

Scoring Mixer -- Casey Stone

Foley Mixer -- Mary Jo Lang

 

Monsters University

Original Dialogue Mixer -- Doc Kane

Re-recording Mixer -- Michael Semanick, CAS

Re-recording Mixer -- Gary Summers

Scoring Mixer -- David Boucher

Foley Mixer -- Corey Tyler

 

Walking With Dinosaurs

Original Dialogue Mixer -- Chris Navarro, CAS

Re-recording Mixer -- Andrew Koyama, CAS

Re-recording Mixer -- Martyn Zub

Scoring Mixer -- Rupert Coulson

Foley Mixer -- Sam Rogers

This article is related to: Awards, Awards Season Roundup, Awards, Cinema Audio Society, Gravity, Gravity, Captain Phillips, Inside Llewyn Davis, Lone Survivor


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.