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Cinematography in the Digital Age at The Academy, May 24: Navarro, Semler, Deakins, Pfister

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood May 19, 2011 at 7:15AM

On May 24, the Academy will host "Cinematography in the Digital Age" at the Samuel Goldwyn Theater, with host (and Short Films and Feature Animation Branch governor) Bill Kroyer. Onstage discussions with cinematographers and other industry pros will look at the opportunities and challenges with technological advancements, from visual effects and motion capture to animation. Among those participating are Oscar-winning cinematographers Guillermo Navarro (Pan’s Labyrinth, 2006) and Dean Semler (Dances With Wolves, 1990) as well as How to Train Your Dragon directors Chris Sanders and Dean DeBlois (who will talk about working with cinematographer Roger Deakins on their film), and recorded words from last year's Oscar winning cinematographer, Wally Pfister (Inception).
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Thompson on Hollywood


On May 24, the Academy will host "Cinematography in the Digital Age" at the Samuel Goldwyn Theater, with host (and Short Films and Feature Animation Branch governor) Bill Kroyer. Onstage discussions with cinematographers and other industry pros will look at the opportunities and challenges with technological advancements, from visual effects and motion capture to animation. Among those participating are Oscar-winning cinematographers Guillermo Navarro (Pan’s Labyrinth, 2006) and Dean Semler (Dances With Wolves, 1990) as well as How to Train Your Dragon directors Chris Sanders and Dean DeBlois (who will talk about working with cinematographer Roger Deakins on their film), and recorded words from last year's Oscar winning cinematographer, Wally Pfister (Inception).

This event is open to the public. Here's more.

[Image: AMPAS]

This article is related to: Directors, Hollywood, Digital Future, Production , VFX


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.