Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Must-See E.R. Doc 'Code Black' Hits NY and LA (TRAILER)

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood May 1, 2014 at 5:53PM

A buzzy title that scooped up the Best Documentary prize at both last year’s Los Angeles and Hamptons International film fests, “Code Black” hit New York’s IFC Center on June 20 and opens Los Angeles's Landmark Theatre on June 27. Watch the trailer for this intense doctor's eye view of our medical system in crisis below.
2
'Code Black'
'Code Black'

A buzzy title that scooped up the Best Documentary prize at both last year’s Los Angeles and Hamptons International film fests, “Code Black” hit New York’s IFC Center on June 20 and opens Los Angeles's Landmark Theatre on June 27. Watch the trailer for this intense doctor's eye view of our medical system in crisis below.

The film, directed by recovered lymphoma patient and resident Ryan McGarry, follows a team of young ER doctors during the hectic transition from the 1930 sprawling LA County General + USC Medical Center hospital to the fancy new upgrade. Aside from the acute stresses of the emergency room--where teams learn to function under duress to save lives--or not--once these doctors move to modern facilities, they are also swamped with paperwork, rules and regulations, all on a piece of land where, as one of the film's subjects says, "more people have died than any other location in the United States... [yet] more people have been saved than in any other square footage in the United States."

County General was the first hospital to set up an Emergency Room. The core of the ER is C-Booth, a 20 x 25 trauma bay with three beds where the most traumatic critical patients are rushed --in shock from a gun wound, poisoned, unable to breathe, or under cardiac arrest. We see amazing footage of a doctor placing a chest tube within 30 seconds. "It scares the hell out of you," says one of the senior residents who run the place. "You have to work hard, and there's no excuse." 

Resident Jamie Eng turned to emergency medicine because she would rather engage in hands-on interactions with patients to end their suffering than create reams of data in a research lab. "To heal someone and make them feel better," she says, "it's no matter if they're rich or poor." 

For one doctor, the ER gave him a chance to "be the best you can be, no shirking your responsibility, you knew at the end of the day you had done your best." 

This nail-biter is a fascinating companion piece to "The Waiting Room." Check out the “Code Black” website here.


Code Black


This article is related to: News, Documentary, Documentaries, Code Black


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.