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COL-COA Adds Docs and Shorts to French Program

Photo of Ryan Lattanzio By Ryan Lattanzio | TOH! March 21, 2013 at 8:18PM

City of Lights, City of Angels (running at the Directors Guild Theater in Hollywood from from April 15 to 22) has confirmed its 2013 program of documentary features and short films, whetting our palates with a few of its titles before the entire lineup is announced March 27. Three films will round out COL-COA’s French documentaries:
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'Becoming Traviata'
'Becoming Traviata'

City of Lights, City of Angels (running at the Directors Guild Theater in Hollywood from from April 15 to 22) has confirmed its 2013 program of documentary features and short films, whetting our appetite with a few of its titles before the entire lineup is announced March 27.

Three films will round out COL-COA’s French documentaries:

Bruno LeBlanc’s “The Sons of Wind,” about the followers of jazz guitarist Django Reinhardt; “Becoming Traviata,” writer/director Philippe Béziat’s look at a modern staging of the titular Verdi opera; and Sébastien Lifshitz’s César-award winning “The Invisibles,” a doc tracing the milieu of homosexual society in France from the post-war to the present. Read The Hollywood Reporter’s review of “The Invisibles” from the 2012 Cannes Film Festival here.

Along with 19 other shorts in competition, the French film festival will also premiere Olivier Nakache and Eric Toledano's short film follow-up to their Oscar-nominated “The Intouchables” (2012), “Clean” (April 15). “The Intouchables” won both the Audience Award and the Critics Special Prize at last year’s COL-COA.

Watch trailers for “Becoming Traviata” and “The Invisibles,” both of which will be distributed in the US by DistriB Films, below:


Les Invisibles (The Invisibles) - Official Trailer by docuphile

This article is related to: Festivals, COL*COA, Documentary


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.