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Cronenberg's Cannes Winner 'Maps to the Stars' Takes Focus World Route, Skips Oscars

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood September 1, 2014 at 10:33PM

Julianne Moore can kiss goodbye to any hopes she was nursing for an Oscar campaign for David Cronenberg's Cannes Best Actress winner "Maps to the Stars," which is set to play Toronto and New York festivals.
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'Maps to the Stars'
'Maps to the Stars'

Julianne Moore can kiss goodbye to any hopes she was nursing for an Oscar campaign for David Cronenberg's Cannes Best Actress winner "Maps to the Stars," which is set to play Toronto and New York festivals. Canadian distributor eOne was going to distribute the film stateside, but it has now sold U.S. rights not to Universal specialty distributor Focus Features--the arm that would handle an Oscar effort--but Focus World, their digital distribution arm, which plans an early 2015 release.

The entertaining satire of Hollywood boasts a strong cast including Cronenberg fave Rob Pattinson, who canoodles on screen with both an anxiety-ridden movie star (Moore) and the troubled daughter (Mia Wasikowska) of psychotherapist/coach to the stars (John Cusack) and his wife (Olivia Williams), who manages his son's career. Ordinarily you would expect this to have a strong theatrical release, but this kind of movie does well on VOD, with smaller marketing costs.

Co-financed by Entertainment One (eOne) and Prospero Pictures, "Maps to the Stars" was produced by Prospero’s Martin Katz, SBS Productions’ Saïd Ben Saïd and Michel Merkt. Sentient Entertainment’s Renee Tab and eOne’s Benedict Carver executive-produced the film., which eOne Films International will directly distribute in Canada, the U.K., and Australia and New Zealand.


This article is related to: Maps to the Stars, Julianne Moore, Julianne Moore, Focus World, David Cronenberg, David Cronenberg, Rob Pattinson, Toronto International Film Festival, Festivals, Festivals


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.