By Sophia Savage | Thompson on Hollywood November 7, 2010 at 7:00AM
- Some actors think that a script is irrelevant. According to Elle cover-girl Jessica Alba: “Good actors never use the script unless it’s amazing writing. All the good actors I’ve worked with, they all say whatever they want to say.” Which "good actors" could she be referring to? Her co-stars in Fantastic Four? The Killer Inside Me? Paul Walker in Into The Blue? She does offer a hint of self-awareness when she adds: "I know I haven’t been swimming in the deep end with some of the movies I’ve done. I wasn’t trying to. I knew what they were.” She co-stars with Ben Stiller in this Christmas' Little Fockers and intends to reinvent herself as the next Lucille Ball. Wonder if she'll just be making it up as she goes along?
[Alba picture courtesy of Elle Magazine]
- While writer-director Paul Haggis was promoting The Next Three Days (November 12), which he adapted from Fred Cavayé and Guillaume Lemans' 2008 screenplay Anything for Her, Haggis told the LAT that next he will write the interwoven ensemble Third Person, about three couples around the globe, approaching romance much the way his Oscar-winning film Crash (2004) tackled race. Haggis wants a well-developed ensemble of characters to tell their stories with the added bonus of beautiful locations, including New York and Rome. No question there's a trend for ensemble romances, from star-stacked-studio-flick Valentine's Day to He's Just Not That Into You, based on the book by Greg Behrendt and Liz Tuccillo. Haggis made it clear: "Yes, it's a little like those. But darker. Much, much darker." There's also 360, Peter Morgan's update of Arthur Schnitzler's 1900 play La Ronde.
- Among the list of Britain's top screenplay offerings is an adaptation by writer-director Saul Dibb (The Dutchess) of Irene Nemirovsky's Suite Francaise, comprised of two of her intended five-cycle suite of novels. (Russian-born French writer Nemirovsky completed these stories only months before being shipped to her death at Auschwitz in 1942. Discovered decades later, they were translated into English in 2006). Also in development is an American adaptation with a script from Ronald Harwood (The Pianist, The Diving Bell and The Butterfly), which focuses on a romance between a German soldier and a French woman in 1940.