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Danny Boyle Talks 127 Hours: Intense Reality, Franco, Crowds, Rahman

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood November 2, 2010 at 8:17AM

In this video interview, Danny Boyle talks about his decisions on 127 Hours, including: how intense should the climactic scene with hiker Aron Ralston (James Franco) be for audiences? He has to hack through his arm's muscle and bone to extricate himself from an unmovable Utah boulder pinning him in a remote canyon, where no one knows his location. Obviously, as there have been repeated instances of audience members fainting during the scene, it is too realistic for some people. And Boyle worries about this: to him it is not a fun marketing ploy. It could in fact keep moviegoers away. But truth is, the movie pushes us to root for the stranded hiker's survival. It is a true story about isolation, endurance, and connection. (Here's the piece I wrote in Toronto, including a flip cam interview with Boyle and Franco.)
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In this video interview, Danny Boyle talks about his decisions on 127 Hours, including: how intense should the climactic scene with hiker Aron Ralston (James Franco) be for audiences? He has to hack through his arm's muscle and bone to extricate himself from an unmovable Utah boulder pinning him in a remote canyon, where no one knows his location. Obviously, as there have been repeated instances of audience members fainting during the scene, it is too realistic for some people. And Boyle worries about this: to him it is not a fun marketing ploy. It could in fact keep moviegoers away. But truth is, the movie pushes us to root for the stranded hiker's survival. It is a true story about isolation, endurance, and connection. (Here's the piece I wrote in Toronto, including a flip cam interview with Boyle and Franco.)

And here's the video interview I did with Boyle at the Filmmaker Lounge:

This article is related to: Directors, Genres, Headliners, Studios, Video, Danny Boyle, Biopics, Fox Searchlight, Interviews


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.