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Thompson on Hollywood

#SXSW Wrap, Hits and Misses

#SXSW Wrap, Hits and Misses
Continuing to build its rep as a balmy spring destination for genre fans and cinephiles alike, the 17th South by Southwest Film Festival saw a strong turnout at films and panels appealing to young males and indie filmgoers, from opener Kick-Ass and stoner-comedy Leaves of Grass to the more finely calibrated critics' faves Tiny Furniture (which won the dramatic jury prize) and Cold Weather. Clearly, the fest hasn’t lost its indie cred, although a hardcore midnight screening of A Serbian Film tested the limits of many filmgoers.
  • By Anne Thompson
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  • March 23, 2010 2:04 AM
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  • 2 Comments

AFM: Big Titles For Sale from Redford, Soderbergh, Sheridan

In the midst of trying times for the film industry, as the American Film Market gets under way in Santa Monica November 4 through 11, the presence of three high-profile projects is making buyers feel better about their prospects.
  • By Anne Thompson
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  • October 28, 2009 6:30 AM
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  • 2 Comments

Toronto Day One: Creation, The Informant!, Jennifer's Body

Toronto Day One: Creation, The Informant!, Jennifer's Body
The reason why film festivals pick movies like Creation for opening night is that they have all the right credentials: respected producer (Jeremy Thomas) and director (Jon Amiel) and two major stars (Paul Bettany and Jennifer Connelly) willing to show up for the gala TIFF screenings and party. But Creation was DOA tonight.
  • By Anne Thompson
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  • September 11, 2009 1:38 AM
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  • 8 Comments

Summer Wraps, Michael Moore, Fest Clips, Brit Wit, Remakes

Summer Wraps, Michael Moore, Fest Clips, Brit Wit, Remakes
Catching up after the holiday weekend and travel to and from fall film fests:
  • By Anne Thompson
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  • September 10, 2009 1:14 AM
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  • 1 Comment

#TIFF: 30 Must-See Movies

#TIFF: 30 Must-See Movies
It's hard to narrow down the must-see Toronto Film Fest list to 30. After all there are 335 films at TIFF09. (I'm including movies that I've already screened in L.A., Sundance or Cannes.) Some fall openers are launching at TIFF, 100 pictures are available for acquisition, and a select few will emerge with their Oscar hopes intact. Reaction from media and audiences will determine which films earn a full-on Oscar push. And I'm listing the pictures in alphabetical order.
  • By Anne Thompson
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  • August 27, 2009 8:12 AM
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  • 7 Comments

Portfolio Returns, Hughes' Death Place, Celebs Shill on Facebook

Movieline writer Stu Van Airsdale tracked down the site where John Hughes left this mortal coil.
  • By Anne Thompson
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  • August 14, 2009 6:10 AM
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  • 4 Comments

Moneyball Redux

Speaking of embattled auteurs, David Poland asks more questions about Sony pulling the plug on Moneyball and what it means. So does Jeffrey Wells. I've also heard that Soderbergh wanted to make a responsibly budgeted commercial movie with MLB approval, and that Sony was backing James Brooks' baseball movie over his.
  • By Anne Thompson
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  • July 3, 2009 1:30 AM
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  • 0 Comments

Moneyball Update

It was a bad week for Steven Soderbergh and his $57-million screen version of Michael Lewis's baseball book Moneyball, which Sony shut down as of Friday--with a Monday start-of-production date. (How odd that "producer" Michael DeLuca was on his honeymoon last week and still has not returned. Soderbergh's producer Greg Jacobs was in charge, clearly.) The problem with the Sony spin over the weekend is that it doesn't make sense for Sony chief Amy Pascal to be suddenly discovering that she didn't like a script that had been in circulation--and active pre-production for weeks. Soderbergh was open about his documentary-like approach, and had obtained Major League Baseball cooperation.
  • By Anne Thompson
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  • June 22, 2009 6:40 AM
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  • 0 Comments

Top 25 Active Directors: Did EW Get it Right?

EW loves lists like this one, the top 25 active directors, designed to inspire healthy debate. Did they get it right? And what do they mean by active, exactly? "Most talented, in-demand directors behind the camera today?" They're trying to have it both ways--it's a power list measuring fame, heat, influence and at the same time, a qualitative measure of talent.
  • By Anne Thompson
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  • February 19, 2009 7:00 AM
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  • 0 Comments

Cannes: Che Meets Mixed Response

"A folly." "A mess." "Great." These words came from critics coming out of Steven Soderbergh's four-hour 18 minute Spanish-language Che Wednesday night. At the end there was slight applause; no boos. My own description: noble failure. Click here to read Todd McCarthy's review.
  • By Anne Thompson
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  • May 21, 2008 4:41 AM
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  • 0 Comments

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