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Tarantino Talks 'Django Unchained' Soundtrack, from Vinyl Oldies to Original Morricone

Thompson on Hollywood By Anne Thompson and Sophia Savage | Thompson on Hollywood January 2, 2013 at 12:56PM

How much you like spaghetti westerns will be a factor in how much you want to consume the "Django Unchained" Original Motion Picture Soundtrack, now available through Loma Vista Recording. This soundtrack marks the first time Quentin Tarantino has collaborated with artists to create original music for one of his films.
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Don Johnson in "Django Unchained"
Don Johnson in "Django Unchained"

1. WINGED


2. DJANGO (MAIN THEME) - LUIS BACALOV, ROCKY ROBERTS


3. THE BRAYING MULE - ENNIO MORRICONE


4. IN THAT CASE, DJANGO, AFTER YOU...


5. LO CHIAMAVANO KING (HIS NAME IS KING) - LUIS BACALOV, EDDA DELL'ORSO


6. FREEDOM - ANTHONY HAMILTON & ELAYNA BOYNTON

7. FIVE-THOUSAND-DOLLAR NIGGA'S AND GUMMY MOUTH BITCHES


8. LA CORSA (2ND VERSION) - LUIS BACALOV


9. SNEAKY SCHULTZ AND THE DEMISE OF SHARP


10. I GOT A NAME - JIM CROCE


11. I GIORNI DELL'IRA - RIZ ORTOLANI


12. 100 BLACK COFFINS - RICK ROSS


13. NICARAGUA - JERRY GOLDSMITH FEATURING PAT METHENY


14. HILDI'S HOT BOX


15. SISTER SARA'S THEME - ENNIO MORRICONE


16. ANCORA QUI - ENNIO MORRICONE AND ELISA


17. UNCHAINED (THE PAYBACK/UNTOUCHABLE) - JAMES BROWN AND 2PAC


18. WHO DID THAT TO YOU? - JOHN LEGEND


19. TOO OLD TO DIE YOUNG - BROTHER DEGE


20. STEPHEN THE POKER PLAYER


21. UN MONUMENTO - ENNIO MORRICONE


22. SIX SHOTS TWO GUNS
23. TRINITY (TITOLI) - ANNIBALE E I CANTORI MODERNI

This article is related to: Django Unchained, Quentin Tarantino, News, News


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.