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Drafthouse Films Acquires Official South Korean Oscar Entry 'Pieta' (Video Clip)

Photo of Anne Thompson and Maggie Lange By Anne Thompson and Maggie Lange | Thompson on Hollywood October 9, 2012 at 1:52PM

Tim League's Drafthouse Films has acquired "Pieta," South Korea's official entry in the 2013 Best Foreign Language Oscar race. From award-winning director Kim Ki-duk ("Spring, Summer, Fall, Winter... And Spring"), the violent must-see drama, which I saw in Toronto, focuses on a lethal loan shark who maims his vitims for a living. He is forced to reconsider his dangerous lifestyle and his own humanity when a mysterious woman arrives on his doorstep claiming to be the mother he never had.
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Pieta

Tim League's Drafthouse Films has acquired "Pieta," South Korea's official entry in the 2013 Best Foreign Language Oscar race. From award-winning director Kim Ki-duk ("Spring, Summer, Fall, Winter... And Spring"), the violent must-see drama, which I saw in Toronto, focuses on a lethal loan shark who maims his vitims for a living. He is forced to reconsider his dangerous lifestyle and his own humanity when a mysterious woman arrives on his doorstep claiming to be the mother he never had.

"Pieta" won Venice's "Golden Lion" award this year. Drafthouse plans a limited theatrical and multi-platform VOD release for 2013.  (Video clip below.)
 

This article is related to: Kim Ki-Duk, Pieta, Drafthouse Films


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.