Click to Skip Ad
Closing in...
Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Eddie Redmayne Talks Live-Singing 'Les Miserables,' What's Next?

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood December 18, 2012 at 7:51PM

Redmayne, who is 30, landed the role of Marius despite not having sung since school. And he delivers a breakout performance. He borrowed something he learned from De Niro in order to better match the intensity of one take of the song to the other--he'd shoot three times in a row. He sang his "Empty Chairs at Empty Tables" song 21 times.
1
Eddie Redmayne
Amanda Seyfried and Eddie Redmayne in 'Les Miserables'
Amanda Seyfried and Eddie Redmayne in 'Les Miserables'

It's been "Les Miserables" week in Hollywood. Hugh Jackman finally earned his star on the Hollywood Walk of Fame. Universal mounted a gala premiere and festive Spago afterparty, and finally screened the musical for the Academy voters on Saturday. It played well, to a standing ovation--natch, director Tom Hooper and his stars were there: Jackman, Anne Hathaway, and musical newcomer Eddie Redmayne. (My notes from the first screening and early reviews are here.)

Eddie Redmayne
Eddie Redmayne

London theater vet Redmayne ("Red," "Richard II") has grown up onscreen since his 2006 movie debut in "The Good Shepherd," where he picked up acting tips from director Robert De Niro. He held his own with Helen Mirren six years ago on the set of Tom Hooper's "Elizabeth I" --where he had to learn to ride a horse after insisting he already knew how. And he romanced Michelle Williams as Marilyn Monroe in last year's "My Week with Marilyn."

Redmayne, who is 30, landed the role of Marius despite not having sung for 12 years. And he delivers a breakout performance. He borrowed something he learned from De Niro in order to better match the intensity of one take of the song to the other--he'd perform it three times in a row without stopping. Hooper shot 21 takes on his "Empty Chairs at Empty Tables." I met him the afternoon before the "Les Mis" premiere at a hotel on the Sunset strip overlooking the city; he took me out on the balcony for a picture.

He's in demand now, as the next young Brit leading man. He could land a supporting nod. You'll see him everywhere--he's playing his cards close as the studios woo him, if not for the "Spider-Man" sequel, maybe the Wachowskis' "Jupiter Ascending"...

This article is related to: Interviews, Interviews , Les Miserables, Eddie Redmayne, Video, Video, indieWIRE Video, Awards, Awards, Oscars


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.