Thompson on Hollywood

'Before Midnight' Interview with Ethan Hawke, Julie Delpy and Richard Linklater (EXCLUSIVE VIDEO)

Interviews

Well, you've been reading about "Before Midnight," the third film in Richard Linklater's trilogy about Celine and Jesse's ongoing romance, since Sundance, and now you finally get to see one of the most delightful and insightful movies of the year. The movie opens Friday. The trio, who could earn a second Oscar nomination for original screenplay, describe their unusual process in our interview below.

By Anne Thompson
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May 22, 2013 2:22 PM
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Cannes: Asghar Farhadi Talks Fest Favorite 'The Past,' Starring Tahar Rahim and Berenice Bejo

Festivals

In what’s turning out to be a very strong year for the Cannes Competition, it’s hard to pick a front-runner at the festival’s midway point. As many critics rate the chances of Hirokazu Kore-Eda’s “Like Father, Like Son” (not least because of a family-ties dynamic many assume will appeal to Jury president Steven Spielberg’s sensibilities), they are also looking at previous Cannes winners the Coen brothers’ “Inside Llewyn Davis." And this is before the Competition entries from Steven Soderbergh, Nicolas Winding Refn, Paolo Sorrentino, Alexander Payne, Roman Polanski and Jim Jarmusch have even screened. But one man sure to be in the fray for the Palme d’Or this weekend is Iranian filmmaker Asghar Farhadi with “The Past.”

By Matt Mueller
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May 20, 2013 3:34 PM
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Cannes Interview: David Lowery Talks 'Ain't Them Bodies Saints' (EXCLUSIVE VIDEO)

Interviews

Writer-director David Lowery has been putting in his 10,000 hours over the past few years, working as an editor and cinematographer on many of his friends' micro-budget projects, as part of the growing multi-tasking barter indie culture. He's helped many of the geographically disparate friends he's met on the festival circuit with their films; he edited with director Shane Carruth the much-talked-about "Upstream Color," now in limited release. SXSW has championed the Texas filmmaker, playing his shorts and features; "Saint Nick" showed promise on a meager $12,000 budget.

By Anne Thompson
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May 17, 2013 8:07 PM
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Cannes Exclusive! Jim Mickle Talks Smart Horror Remake 'We Are What We Are'

Interviews

Just three years after Jorge Michel Grau's 2010 Mexican film "We Are What We Are" played at the Cannes Festival market (see trailer below), Jim Mickle's American remake, which debuted well at Sundance, is playing in the festival proper, in the Director's Fortnight, which sometimes welcomes smart well-made horror films such as this one. EOne will open the elegantly shot, well-acted film--which deals with a small town religious family maintaining their long tradition of ritual cannibalism-- this September.

By Anne Thompson
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May 16, 2013 4:29 PM
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CANNES EXCLUSIVE: Ari Folman Talks Fortnight Opener 'The Congress,' Which Predicts Hollywood's Chilling Future (TRAILER)

Interviews

The Cannes International Film Festival gets under way Wednesday with the international premiere of Baz Luhrmann's "The Great Gatsby," a perfect opening night choice given its already established hit status stateside (TOH review here). And on Thursday the edgier Cannes sidebar Director's Fortnight (or Quinzaine) will open with Israeli director Ari Folman's "The Congress," a live-action/animation hybrid starring Robin Wright and Danny Huston, which is being screened for the first time not only for Cannes audiences and critics but North American distributors as well.

By Anne Thompson
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May 14, 2013 1:22 PM
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Director Bouzereau Unveils Mogul Zanuck in 'Don't Say No Until I Finish Talking' (Interview)

Interviews

"Don't Say No Until I Finish Talking," a portrait of the life and career of studio chief and producer Richard D. Zanuck, scion of Fox's Darryl F. Zanuck, will premiere on May 8 on Turner Classic Movies. Produced by TCM and Amblin Television, the 90-minute film features interviews with many of the filmmakers Zanuck worked with including Clint Eastwood, William Friedkin, Ron Howard, Steven Spielberg and Tim Burton. I talk with writer-director Laurent Bouzereau. (TOH! Zanuck obit here.)

By Cari Beauchamp
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May 10, 2013 2:49 PM
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How Katie Aselton Made Feminist Thriller 'Black Rock' (EXCLUSIVE CLIP, TRAILER)

Interviews

Katie Aselton is yet another indie actress-writer-director who has taken matters into her hands. There's no point in waiting around for careers to come to you. With some financial freedom from FX hit comedy series "The League," in which she stars with her multi-hyphenate husband Mark Duplass, who directed her, with brother Jay, in "The Puffy Chair," Aselton co-wrote, directed and stars in the R-rated thriller "Black Rock" which opens May 17 in theaters and VOD.

By Anne Thompson
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May 9, 2013 4:28 PM
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Bradley Cooper Is New Model Smart Star

Interviews

As "Silver Linings Playbook" comes out on DVD, which earned Bradley Cooper his first best actor Oscar nomination, well-reviewed "Place Beyond the Pines" is playing around the country, "The Hangover Part III" hits theaters on May 24, and Steven Spielberg has picked as his next movie "American Sniper," which was developed by Cooper's Warner Bros. production company, about Navy SEAL Chris Kyle, an ace sniper who was tragically killed. This actor is clearly doing something right.

By Anne Thompson
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May 6, 2013 6:17 AM
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Rebecca Eaton Talks 'Mystery' and the Return of Dorothy Sayers' Lord Peter Wimsey

Interviews

Lord Peter Wimsey solved his first murder in 1923, made his debut on live television in 1947 and his television series debut on Masterpiece Theatre in 1972, and has just bounded into the 21st century in an Acorn Media DVD of that 1972-1975 television series starring Ian Carmichael. "Masterpiece" Executive Producer Rebecca Eaton, who will have “Making Masterpiece,” a memoir of her years as executive producer, published in October, says, that for a “Mystery” series to be successful, “It’s all about the actor.”

By Aljean Harmetz
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May 5, 2013 7:19 AM
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Immersed in Movies: Shane Black and Kevin Feige Talk Going Over the Edge in 'Iron Man 3,' Stark's Demons, VFX

Features

With "Iron Man 3" already smashing box-office records internationally ahead of its domestic release Friday, grabbing more than $300 million in nine days (including the highest opening ever in China), Marvel's post-"Avengers" Phase 2 plan is off to a smashing start. The trick apparently was giving Robert Downey Jr.'s Tony Stark an existential crisis, and no one was better suited to the task than director Shane Black, who, like Downey, knows a thing or two about confronting personal demons, which is what "Iron Man 3" is all about.