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Thompson on Hollywood

Cannes Interview: David Lowery Talks 'Ain't Them Bodies Saints' (EXCLUSIVE VIDEO)

Writer-director David Lowery has been putting in his 10,000 hours over the past few years, working as an editor and cinematographer on many of his friends' micro-budget projects, as part of the growing multi-tasking barter indie culture. He's helped many of the geographically disparate friends he's met on the festival circuit with their films; he edited with director Shane Carruth the much-talked-about "Upstream Color," now in limited release. SXSW has championed the Texas filmmaker, playing his shorts and features; "Saint Nick" showed promise on a meager $12,000 budget.
  • By Anne Thompson
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  • May 17, 2013 8:07 PM
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Cannes Exclusive! Jim Mickle Talks Smart Horror Remake 'We Are What We Are'

Just three years after Jorge Michel Grau's 2010 Mexican film "We Are What We Are" played at the Cannes Festival market (see trailer below), Jim Mickle's American remake, which debuted well at Sundance, is playing in the festival proper, in the Director's Fortnight, which sometimes welcomes smart well-made horror films such as this one. EOne will open the elegantly shot, well-acted film--which deals with a small town religious family maintaining their long tradition of ritual cannibalism-- this September.
  • By Anne Thompson
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  • May 16, 2013 4:29 PM
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CANNES EXCLUSIVE: Ari Folman Talks Fortnight Opener 'The Congress,' Which Predicts Hollywood's Chilling Future (TRAILER)

The Cannes International Film Festival gets under way Wednesday with the international premiere of Baz Luhrmann's "The Great Gatsby," a perfect opening night choice given its already established hit status stateside (TOH review here). And on Thursday the edgier Cannes sidebar Director's Fortnight (or Quinzaine) will open with Israeli director Ari Folman's "The Congress," a live-action/animation hybrid starring Robin Wright and Danny Huston, which is being screened for the first time not only for Cannes audiences and critics but North American distributors as well.
  • By Anne Thompson
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  • May 14, 2013 1:22 PM
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  • 1 Comment

Director Bouzereau Unveils Mogul Zanuck in 'Don't Say No Until I Finish Talking' (Interview)

"Don't Say No Until I Finish Talking," a portrait of the life and career of studio chief and producer Richard D. Zanuck, scion of Fox's Darryl F. Zanuck, will premiere on May 8 on Turner Classic Movies. Produced by TCM and Amblin Television, the 90-minute film features interviews with many of the filmmakers Zanuck worked with including Clint Eastwood, William Friedkin, Ron Howard, Steven Spielberg and Tim Burton. I talk with writer-director Laurent Bouzereau. (TOH! Zanuck obit here.)
  • By Cari Beauchamp
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  • May 10, 2013 2:49 PM
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  • 1 Comment

How Katie Aselton Made Feminist Thriller 'Black Rock' (EXCLUSIVE CLIP, TRAILER)

Katie Aselton is yet another indie actress-writer-director who has taken matters into her hands. There's no point in waiting around for careers to come to you. With some financial freedom from FX hit comedy series "The League," in which she stars with her multi-hyphenate husband Mark Duplass, who directed her, with brother Jay, in "The Puffy Chair," Aselton co-wrote, directed and stars in the R-rated thriller "Black Rock" which opens May 17 in theaters and VOD.
  • By Anne Thompson
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  • May 9, 2013 4:28 PM
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Bradley Cooper Is New Model Smart Star

As "Silver Linings Playbook" comes out on DVD, which earned Bradley Cooper his first best actor Oscar nomination, well-reviewed "Place Beyond the Pines" is playing around the country, "The Hangover Part III" hits theaters on May 24, and Steven Spielberg has picked as his next movie "American Sniper," which was developed by Cooper's Warner Bros. production company, about Navy SEAL Chris Kyle, an ace sniper who was tragically killed. This actor is clearly doing something right.
  • By Anne Thompson
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  • May 6, 2013 6:17 AM
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Rebecca Eaton Talks 'Mystery' and the Return of Dorothy Sayers' Lord Peter Wimsey

Lord Peter Wimsey solved his first murder in 1923, made his debut on live television in 1947 and his television series debut on Masterpiece Theatre in 1972, and has just bounded into the 21st century in an Acorn Media DVD of that 1972-1975 television series starring Ian Carmichael. "Masterpiece" Executive Producer Rebecca Eaton, who will have “Making Masterpiece,” a memoir of her years as executive producer, published in October, says, that for a “Mystery” series to be successful, “It’s all about the actor.”
  • By Aljean Harmetz
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  • May 5, 2013 7:19 AM
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Immersed in Movies: Shane Black and Kevin Feige Talk Going Over the Edge in 'Iron Man 3,' Stark's Demons, VFX

With "Iron Man 3" already smashing box-office records internationally ahead of its domestic release Friday, grabbing more than $300 million in nine days (including the highest opening ever in China), Marvel's post-"Avengers" Phase 2 plan is off to a smashing start. The trick apparently was giving Robert Downey Jr.'s Tony Stark an existential crisis, and no one was better suited to the task than director Shane Black, who, like Downey, knows a thing or two about confronting personal demons, which is what "Iron Man 3" is all about.
  • By Bill Desowitz
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  • May 3, 2013 2:35 PM
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EXCLUSIVE VIDEO: Gibney Talks Manning and Assange, Stars of his 'WikiLeaks' Expose

Until recently, nobody knew who Bradley Manning was. Now he's all over the media, having pleaded guilty to ten charges (and not guilty to 12 others) before a Maryland military judge (see his leaked testimony here) for “misusing classified data,” the unlawful possession of classified material, exposing a cache of files, including videos, military logs and 250,000 State Department cables, and the transfer of this material to WikiLeaks. These charges carry a maximum sentence of 20 years in jail. “The more I read the cables, the more I came to the conclusion that this was the type of information that should become public,” he told the judge.
  • By Anne Thompson
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  • May 2, 2013 1:48 PM
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EXCLUSIVE VIDEO: 'Kill List' Director Ben Wheatley Talks IFC's 'Sightseers'

Brit filmmaker Ben Wheatley had brought his prior two low-budget features, "Down Terrace" and "Kill List," to the Cannes market. Then he made his proper Cannes debut with "Sightseers" in the Director's Fortnight, an unexpected breakout during an unexceptional year. Then the film played the fest circuit, including Toronto. IFC opens the dark relationship comedy in New York and L.A.on May 10. See my flipcam interview with Wheatley below.
  • By Anne Thompson
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  • May 2, 2013 1:39 PM
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  • 3 Comments

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