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Flickchart Top 20 of 2010 Led by Inception, Scott Pilgrim

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood December 29, 2010 at 6:05AM

Flickchart is a film buff's addictive time-waster that's a best-to-avoid for me. Sure enough, I'm lured to check out the site's Top 20 of 2010 chart, compiled from some 49 million rankings from Flickchart users all over the world. Surprise: Inception is number one, followed by Scott Pilgrim vs. the World. (They also have a best animated films of 2010 chart, which does not include The Illusionist in its top ten. Humph.)
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Thompson on Hollywood

Flickchart is a film buff's addictive time-waster that's a best-to-avoid for me. Sure enough, I'm lured to check out the site's Top 20 of 2010 chart, compiled from some 49 million rankings from Flickchart users all over the world. Surprise: Inception is number one, followed by Scott Pilgrim vs. the World. (They also have a best animated films of 2010 chart, which does not include The Illusionist in its top ten. Humph.)

The site lets you vote for one movie (usually a classic) over another, and compiles your top-ranked films as you go. Foolishly, I jumped into creating my own chart of favorite movies of 2010. While I have ranked so many movies (1682) on my all-time rankings chart that it's fairly representative of my taste, the 2010 chart is a disaster. First, who knew how many awful-looking grade B and obscure foreign films I failed to see in 2010 (perhaps wisely)? It will take a major time suck before my 2010 chart resembles anything close to what I actually liked this year.

Flickchart Trailer:

This article is related to: Franchises, Genres, Video, Lists, Inception, Classics, Trailers


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.